Short of the Week – A Band of Thieves Rhys Handley January 8, 2018 Features, Independent, Short of the Week https://vimeo.com/channels/staffpicks/246729336 One of the key pillars of postmodernist thinking is that there is no longer such thing as an original idea. We have too much culture and too much art, now it...
Top 20 Films of 2017: #2 – Moonlight Rhys Handley December 30, 2017 Analysis, Features, Top 10 In 2017, differences of perspective mutated into an aggressive disruption of common truth. Facts are no longer sacred in societal discourse, meaning philosophical debate is now often a battle over the...
Vintage Movie Magic in Star Wars: The Last Jedi Rhys Handley December 22, 2017 Analysis, Close-Up, Features This post contains spoilers for Star Wars: The Last Jedi. Imagine getting to make a Star Wars movie. Imagine the millions upon millions of dollars Lucasfilm would leave in your lap. Imagine the stellar...
‘There Is No Try’: Was Empire Strikes Back Lightning in a Bottle? Rhys Handley December 13, 2017 Analysis, Features, Love Letter Every sequel ever made is royally screwed. Those poor filmmakers can go back to their hit movies with the purest intentions and the best bundle of influences, but how many second instalments can really hold a...
The generosity of Every Frame a Painting Rhys Handley December 7, 2017 Analysis, Features, One Off Hi, my name is Rhys and I love Every Frame a Painting. The act of watching film is instinctive. You can’t often tell why you like a movie, your gut just knows that you do. There’s something about it...
The Disaster Artist – Review Rhys Handley November 28, 2017 Reviews Imagine a film no one really wanted, fronted by an enigmatic auteur with a questionable past whose name is all over the credits as producer, director, lead star, etc. A match made in heaven (or San Francisco),...
Manifesto – Review Rhys Handley November 27, 2017 Reviews Originally a multi-screen installation for exhibition at the Australian Centre for the Moving Image, Manifesto belongs more to Cate Blanchett than to director Julian Rosefeldt. Split into thirteen segments,...
Short of the Week – Submarine Rhys Handley November 27, 2017 Features, Independent, Short of the Week https://vimeo.com/233685439 A community drifting apart can feel like the end of the world. This is usually an illusion in the mind. In Mounia Akl’s award-winning short, the decomposition of the...
The King of Comedy – Martin Scorsese’s Black Sheep Rhys Handley November 24, 2017 Analysis, Features, One Off When Martin Scorsese was on a streak with his muse Robert De Niro in the 1970s and 1980s, they gave us characters who would leap from the screen in a flurry of violence and rage. Paragons of toxic, unimpeded...
Parenting & Privilege: The Florida Project and Call Me By Your Name Rhys Handley November 16, 2017 Analysis, Features, Opinion Parenting - good or bad, present or not - permeates all lives. Children’s worlds are built on the foundations of the early teachings of mothers, fathers, and carers. Even when its effects move to the...
Same Bones, Different Skin: La Piscine/A Bigger Splash Rhys Handley October 27, 2017 Analysis, One Off To call Italian impresario Luca Guadagnino’s A Bigger Splash (2015) a remake of La Piscine, Jacques Deray’s 1969 romantic thriller, would certainly be a faux pas. Built on the same narrative foundations...
Three Faces – LFF 2018 review Rhys Handley October 18, 2017 Reviews In the fourth film made under his 20-year ban from the Iranian government, Jafar Panahi continues to audaciously fly in the face of his home country’s demands. Opening on an unnerving cameraphone recording...
Scene Stealers: James Gandolfini in In the Loop Rhys Handley October 17, 2017 Analysis, Features, Scene Stealers Who dares to face down Malcolm Tucker? By 2009, Peter Capaldi’s tartan terror had been blazing through the halls of Westminster for four years – obliterating all who unknowingly stumbled into his path. His...
The Dead and the Others – LFF 2018 review Rhys Handley October 15, 2017 Reviews Portuguese directing duo João Salaviza and Renée Nader Messora have crafted in The Dead and the Others an incredibly evocative piece of cinema – almost too much so for its own good. The film is the...
Caught in a Trap: Blood Simple and the Coens’ Inescapable Cycle Rhys Handley October 3, 2017 Analysis, Close-Up, Features It’s always weird going back to the beginning. So many great directors seem to arrive fully-formed, but that’s usually because by the time they break out and hit the spotlight, they already have a solid...