Stan & Ollie – Review Rhys Handley January 13, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 21/10/2018. Stan Laurel and Oliver Hardy’s brand of amicable slapstick remains in high esteem for its purity –...
The Upside – Review Rhys Handley January 11, 2019 Reviews Red flags marked the road to release for The Upside, a remake of 2011 French odd-couple runaway hit Intouchables, with its March 2018 release date scrapped amid the seismic scandal of one-time producer Harvey...
Life Itself – Review Rhys Handley January 4, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 15/10/2018. You know the dude in Starbucks, the one with the thick-rimmed glasses, chequered shirt and a macchiato...
Kristen Stewart’s Steady Path to Grown-Up Success Rhys Handley December 13, 2018 Analysis, Features, Spotlight Kristen Stewart knows better than most that growing up as a young actor means having a spotlight on your every move – personal and professional. It blighted the Harry Potter kids, whose turbulent journey to...
Steve McQueen’s Desperate Men: Masculinity Under Pressure Rhys Handley November 6, 2018 Analysis, Features, Spotlight In Widows, director Steve McQueen is mining relatively fresh territory for himself in the film's female-rooted narrative. Though he has never disregarded women’s experiences in his work, they have not –...
Stan & Ollie – LFF 2018 review Rhys Handley October 21, 2018 Reviews Stan Laurel and Oliver Hardy’s brand of amicable slapstick remains in high esteem for its purity – without agenda, the duo distilled comedy down to its simple, singular objective of making people laugh;...
If Beale Street Could Talk – LFF 2018 review Rhys Handley October 21, 2018 Reviews New York in Barry Jenkins’ If Beale Street Could Talk is pulsating, alive and wholly authentic – populated with little fanfare by people of all shades. Following up Moonlight – a watershed achievement...
Dublin Oldschool – LFF 2018 review Rhys Handley October 20, 2018 Reviews In spite of its name, Dublin Oldschool spends very little time actually considering its distinct and characterful setting. Throughout, there’s a general disregard for any storytelling possibilities laid...
Blaze – LFF 2018 review Rhys Handley October 19, 2018 Reviews Shot dead at the age of 39 in a mundane dispute over a friend’s pension slip, Blaze Foley has been folded into country music legend – spoken of in whispers, his influences keenly felt but never explicitly...
In Fabric – Review Rhys Handley October 18, 2018 Reviews This review was originally published as part of our London Film Festival coverage on 18/10/2018. The red dress of Peter Strickland’s In Fabric could represent anything: the toxic lure of consumerism, the...
Capernaum – LFF 2018 Review Rhys Handley October 18, 2018 Reviews Capernaum was an ancient city in what is now northern Israel on the sea of Galilee, thought to be the setting for a string of Jesus’ miraculous feats of healing. No such easy fixes come for those who...
Winter Flies – LFF 2018 Review Rhys Handley October 18, 2018 Reviews As the cold air sets in, the flies that refuse to die off are the most annoying – and the most persistent. Olmo Omerzu’s coming-of-age gem dwells on these flies, and his characters’ mix of irritation and...
The Kindergarten Teacher – LFF 2018 Review Rhys Handley October 18, 2018 Reviews Most of us will one day be made to face our own mediocrity, contend with the fact we’re only ordinary, and find ways to fit into a world where we are merely spectators to more powerful, exceptional...
Life Itself – LFF 2018 review Rhys Handley October 15, 2018 Reviews You know the dude in Starbucks, the one with the thick-rimmed glasses, chequered shirt and a macchiato who’s forever working on his screenplay? Well, Life Itself is that very screenplay, and somehow it’s...
Maya – LFF 2018 review Rhys Handley October 15, 2018 Reviews Returned to the world after four months under ISIS captivity, war reporter Gabriel (Roman Kolinka) comes back to Paris a man transformed and ill at ease with the haunting familiarities and the discomfiting...