Anne at 13,000 ft – Review Rhys Handley September 29, 2021 Reviews This film was previously reviewed as part of our coverage for Berlinale 2020. Daycare assistant Anne has fallen, literally, in love. In the opening moments of Canadian director Kazik Radwanski’s sublime...
ORWAV’s Top 20 Films of 2020: #10 – Mangrove Rhys Handley December 27, 2020 Analysis, Features, Top 10 We’ve had a lot of time to reflect in 2020, whether we wanted it or not. That means time to look into ourselves, our culture, our society – our history. It’s not a passive process, though that’s an...
Suk Suk – Berlinale 2020 Review Rhys Handley February 24, 2020 Reviews Pak (Tai Bo) is a taxi driver entering his twilight years yet still providing for his family. A long-closeted gay man, he spends his lunch breaks cruising in parks and public bathrooms. When he meets retiree...
The Kindergarten Teacher – Review Rhys Handley March 8, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 18/10/2018. Most of us will one day be made to face our own mediocrity, contend with the fact we’re only ordinary and...
Ray & Liz – Review Rhys Handley March 8, 2019 Reviews Ray and Liz are not the stars of their namesake film. Their presences hang spectrally around the edges – never fully-realised, but omnipresent. Saturating his images in the subjective haze of memory,...
Marighella – Berlinale 2019 Review Rhys Handley February 23, 2019 Reviews Democracy only returned to Brazil in 1989, but the threat of another backslide into authoritarianism is dangerously imminent today. Far-right agitator Jair Bolsonaro was elected president in January 2019 and...
Capernaum – Review Rhys Handley February 22, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 18/10/2018. Capernaum was an ancient city in what is now northern Israel on the sea of Galilee, thought to be the setting...
Woo Sang – Berlinale 2019 review Rhys Handley February 16, 2019 Reviews The opening line of Woo Sang must be one of the boldest in recent memory. As the camera sweeps ominously across a modern cityscape, narrator and grieving father Yoo Joong-sik (Sul Kyung-gu) drops his...
And Your Bird Can Sing – Berlinale 2019 review Rhys Handley February 13, 2019 Reviews When a film opens with its lead announcing in voiceover that the summer will never end, the beast of cliche rears its deadly horns. Sho Miyake’s decision to have wayward slacker Boku (Tasuku Emoto) declare...
The Boy Who Harnessed the Wind – Berlinale 2019 review Rhys Handley February 12, 2019 Reviews Chiwetel Ejiofor’s acting career features many projects in which he explores African stories and identities across both the continent and the diaspora. Often, he does so under white and western directors,...
The Shadow Play – Berlinale 2019 review Rhys Handley February 12, 2019 Reviews With a young teen’s understanding of sex, corruption and public administration, The Shadow Play is a captivating display of bold, shambolic filmmaking. Lou Ye’s conspiracy thriller tangles its wicked web...
Mid90s – Review Rhys Handley February 11, 2019 Reviews This review was originally published as part of our Berlinale festival coverage on 11/02/2019. Paraphernalia preoccupies the hearts of the kids of Mid90s, who shed blood and break bones over logo-emblazoned...
If Beale Street Could Talk – Review Rhys Handley February 8, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 21/10/2018. New York in Barry Jenkins’ If Beale Street Could Talk is pulsating, alive and wholly authentic – populated...
Boy Erased – Review Rhys Handley February 7, 2019 Reviews In Deep Impact/Armageddon tradition, Joel Edgerton’s sophomore directing effort is the second film about young people subjected to gay conversion therapy released in a matter of months. As such, Boy Erased...
Beautiful Boy – Review Rhys Handley January 19, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 13/10/2018. Journalist David Sheff and his son Nic exist on opposite ends of a spectrum; at once, they balance out a...