Finsterworld – EIFF Review Cameron Ward June 19, 2014 Reviews It's no coincidence that Daniel Clowes' seminal work Ghost World surfaces throughout Frauke Finsterwalder's multifaceted directorial debut. In taking the highly esteemed graphic novel's unique brand of...
The Young and Prodigious T.S. Spivet – Review Cameron Ward June 12, 2014 Reviews 1 Comment Jean-Pierre Jeunet's visually stunning adaptation of Reif Larsen's similarly-titled novel boasts impressive performances and well-crafted design, but ultimately forgets the importance of thematic integration -...
Behind The Rules Of Dogme 95 Cameron Ward May 29, 2014 Analysis, Close-Up, Features - "Thus I make my VOW OF CHASTITY" - Dogme 95 (sometimes known as Dogma or Dogma 95) was an avant-garde movement in film production started by Danish-born directors Lars von Trier and Thomas Vinterberg in...
The Two Faces of January – Review Cameron Ward May 18, 2014 Reviews Hossein Amini's pleasing adaptation of Patricia Highsmith's novel of the same name falls victim to its meagre 12A rating; often willing to broach the mature themes demanded of it, yet never fully...
Little Accidents – Sundance London Review Cameron Ward April 30, 2014 Reviews Sara Colangelo's feature debut, Little Accidents, dolefully addresses the personal ramifications of widespread public trauma. Taking place in the small-town setting of Park City, Colangelo...
The Voices – Sundance London Review Cameron Ward April 29, 2014 Reviews 2 Comments The Voices is a unique blend of (like as not) mutually-exclusive soundtracks, aesthetics, and genre tropes that curiously coalesce into a surprisingly digestible black romcom. Directed by...
Finding Fela – Sundance London Review Cameron Ward April 28, 2014 Reviews Academy Award winner Alex Gibney's latest non-fiction piece closely documents the life and music of Nigerian political activist, and Afrobeat creator, Fela Anikulapo Kuti. Due to Fela's unfortunate death in...
Hits – Sundance London Review Cameron Ward April 28, 2014 Reviews 1 Comment David Cross' Hits deftly challenges the prevalence of celebrity culture within modern society through carefully mapped characters and remarkably affectionate satire. Despite formally adopting the...
Kumiko, the Treasure Hunter – Sundance London Review Cameron Ward April 27, 2014 Reviews The Zellner brothers' melancholic character drama confidently explores the compulsive yearn for escapism through banality, disenchantment and rightful misanthropy. Kumiko, the Treasure Hunter's...
They Came Together – Sundance London Review Cameron Ward April 26, 2014 Reviews David Wain's They Came Together brings with it clear, absurd, and intensely welcome influences from his previous work on Children's Hospital, which correspondingly drives a surprisingly...
Memphis – Sundance London Review Cameron Ward April 24, 2014 Reviews Tim Sutton's Delphian portrayal of a blues musician's decaying spirituality takes on the seemingly mismatched guise of both documentary filmmaking, and hyper-literate, auratic cinema. The film follows the...
Noah – Review Cameron Ward April 5, 2014 Reviews 1 Comment Darren Aronofsky's liberal retelling of the classic Genesis myth is notably epic in both its newly modernised relevance, and its biblically requisite sense of scale. However, much of the tale's innate...
Conspiracy And Corruption – Mea Maxima Culpa: Silence in the House of God Cameron Ward March 24, 2014 Analysis, Close-Up, Features 3 Comments - "My most grievous fault" - Mea maxima culpa - my most grievous fault. American documentary director Alex Gibney is long known for his meticulous examination of deep-seated institutional corruption....
Under the Skin – Review Cameron Ward March 15, 2014 Reviews 2 Comments Beautifully hypnotic and hauntingly dispassionate, Jonathan Glazer's multi-faceted exploration of cultural subjectivity and social realism flawlessly straddles issues of both observational cinema and the...
Absurdity And Violence in Yorgos Lanthimos’s Dogtooth Cameron Ward February 17, 2014 Analysis, Close-Up, Features - "The animal that threatens us is a cat." - Yorgos Lanthimos' darkly subversive 2009 drama Dogtooth offers no easy answers. In this respect, and many others, this freakish tale of parental autocracy...