article placeholder

Bardo – Venice Film Festival 2022 Review

One can’t help but wonder if Netflix’s much-publicised recent financial troubles are down to business decisions like giving Alejandro G. Iñárritu millions to make Bardo, rather than just sending him to a...
article placeholder

The Falls – Venice 2021 Review

There are sure to be countless Covid films tackling the biggest global disruption of our lifetimes, and The Falls takes an interesting approach, relegating this cataclysm to a sub-plot. We begin in Taipei,...
article placeholder

Atlantide – Venice 2021 Review

Watching Atlantide at the Venice Film Festival, in the heart of the Venice Lagoon, is a sobering experience. Gone are the hordes of tourists and expensive film stars, gone are the gondolas and fridge magnets...
article placeholder

Marriage Story – Venice 2019 Review

If your partner (or, perhaps, ex) is notching Emmy nominations while your play has just been shelved from Broadway, is it justifiable to be jealous? What if your marriage is actively obstructing your ambition?...
article placeholder

Sunset – Venice 2018 Review

László Nemes’ previous film, Son of Saul, was a harrowing and visceral fever dream, dragging the viewer through the charnel house of a concentration camp in Nazi Germany. Much of its power came from...
article placeholder

The Announcement – Venice 2018 Review

When political instability becomes the norm, what happens to the fear and drama it normally inspires? The Announcement, directed by Mahmut Fazil Coskun, puts the basics of social interaction under the...