Dunkirk

Dunkirk – Review

The opening 20 minutes of Dunkirk are as visceral and arresting as the beach landings in Saving Private Ryan. The difference is that, unlike Spielberg, Christopher Nolan doesn’t relieve the tension – even...
The Revenant

The Revenant – Review

Born from what's now becoming infamous as one of the most demanding shoots of all time, masterful filmmaker Iñárritu drags his camera through the frozen upper midwest and, with it, the shredded nerves...
Legend

Legend – CFF Review

Legend is a mixed bag, combining undeniable technical brilliance with hokey pseudo-romance. However, framing the myth of the Krays from Frances’ perspective pays off by foregrounding the instability of this...

London Road – Review

London Road is imaginative and bold. Characters talk and sing (sometimes jarringly) as real-life residents of London Road, the area irrevocably affected by 2006’s Ipswich murders. What they express is...

Mad Max: Fury Road – Review

There aren't enough expletives or adjectives to express quite how much you need to see Fury Road. Its brutal war-torn world, built on the liquid viscera of blood, milk and oil, is a dystopia; but the future...

Child 44 – Review

"Then they came for me," bemoans the end of Martin Niemöller's poem, "and there was no one left to speak for me." In Child 44 Daniel Espinosa has crafted an interesting drama about the bureaucracy of...