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      Testament of Youth - LFF Review

      Danielle Davenport
      October 16, 2014
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      Jess Goodman
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      Scott Wilson
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      Scott Wilson
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      Alysha Prasad
      January 14, 2023
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      Scott Wilson
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      Alysha Prasad
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      Second Chance: Bedazzled (2000)

      Danielle Davenport
      April 15, 2015
      Features, Nostalgia, Second Chance
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      On Baz Luhrmann’s Romeo + Juliet and Growing Up

      Lydia Rostant
      March 25, 2022
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      ORWAV’s Top 20 Films of 2021: #1 – Petite Maman

      Anna McKibbin
      December 31, 2021
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      ORWAV’S Top 20 Films of 2021: #2 – The Green Knight

      Carmen Paddock
      December 31, 2021
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      No Subtitles Please, We're British: Is Cinema Being Whitewashed?

      Phil W. Bayles
      April 16, 2015
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      ORWAV’s Top 20 Films of 2021: #8 – First Cow

      Louise Burrell
      December 31, 2021
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      Why First Cow Was The Biggest Oscar Snub This Year

      Louise Burrell
      March 27, 2021
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      Bloodless Spectacle and Everyday Sexism in Silence of the Lambs

      Katy Moon
      February 1, 2021
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      Best Films Never Made #31: John Hughes' Oil and Vinegar

      Tom Bond
      March 1, 2016
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      Best Films Never Made #43: The Beatles and Joe Orton’s Up Against It

      Tom Bond
      June 24, 2019
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      Naomi Soanes
      September 5, 2017
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      Sinead McCausland
      August 16, 2017
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      Tom Bond
      June 6, 2017
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      Carmen Paddock
      May 30, 2017
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      Best Films Never Made #38: Ridley Scott’s Nottingham

      Sophie Wing
      May 10, 2017
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      May 27, 2015
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      Patrick Nabarro
      August 21, 2019
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      Carmen Paddock
      September 20, 2018
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Tagged Oscars

Home
Oscars
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ORWAV’s Top 20 Films of 2021: #8 – First Cow

Louise Burrell
December 31, 2021
Analysis, Features, Opinion
With an outpouring of festival and critics’ awards over the last 18 months, it seemed almost certain that Kelly Reichardt’s stunning First Cow would garner a handful of Academy Awards nominations in early...
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Why First Cow Was The Biggest Oscar Snub This Year

Louise Burrell
March 27, 2021
Analysis, Features, Opinion
With an outpouring of festival and critics awards over the last 12 months, it seemed almost certain that Kelly Reichardt’s stunning First Cow would garner a handful of Academy Awards nominations. But in a...
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ORWAV Oscars 2020 – The Results

Tom Bond
February 9, 2020
Analysis, Features, One Off
Not to brag, but we had a pretty great set of nominations for the ORWAV Oscars this year. We took the Academy's top picks enhanced them with some underappreciated gems, especially of the uncut variety. So...
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ORWAV Oscars 2020: The Nominations

Tom Bond
February 3, 2020
Analysis, Features, One Off
Oscars season has arrived early this year, and with it comes one of the most eclectic sets of nominees we've seen in quite some time. Big hitters include a long-take (not one-take) WWI film, a serious...
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The Directors That Defined the 2010s

Carmen Paddock
December 11, 2019
Analysis, Features, Opinion
Much can be said about the cinema of the 2010s, from Oscars drama and the legacy of #MeToo to the dominance of Disney and emergence of streaming platforms in film distribution. The films driving and reacting...
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ORWAV Oscars 2019 – The Results

Tom Bond
February 24, 2019
Analysis, Features, One Off
Not to brag, but we had a pretty great set of nominations for the ORWAV Oscars this year, with the Academy's top picks enhanced by the kind of family favourites and comedy performances that rarely get as much...
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ORWAV Oscars 2019: The Nominations

Tom Bond
February 19, 2019
Analysis, Features, One Off
It's a good time to be a film fan, and unusually, it's a pretty good time to be an awards fan too. Aside from the chaos unfolding within Academy HQ as they change the format of the broadcast (then change it...
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Cutting the Oscars Was a Stupid Solution to a Serious Problem

Calum Baker
February 17, 2019
Analysis, Features, Opinion
You're already up to date, I'm sure. Mostly because, even if you weren't up to date, everything's gone back to normal anyway so it doesn't matter. Recap: After warning last year that the 91st Academy...
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Cut! Why the Academy Awards Broadcast Needed Editing

Stephen O'Nion
February 14, 2019
Analysis, Features, Opinion
Tinseltown and its suburbs, Film Twitter, are in uproar this week. The awarding of Best Cinematography, Best Makeup and Hairstyling, Best Film Editing and Best Live Action Short are all to be done during...
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Bryan Singer, the Oscars, and Separating the Art From the Artist – Debate

Tom Bond
January 31, 2019
Analysis, Debate, Features
Bohemian Rhapsody was recently nominated for several Oscars, including Best Picture, and while many have queried that on grounds of merit, a more urgent worry is the presence of director Bryan Singer. He was...
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Oscar Nominations 2019: The Full Rundown

Calum Baker
January 22, 2019
Analysis, Features, One Off, Opinion
10 years ago, Bradley Cooper may as well have been nobody. Then he starred in The Hangover. Then... uh... The Hangover 2. But six brief years since his "serious film" breakout Silver Linings Playbook, the...
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ORWAV’s Top 20 Films of 2018: #6 – Roma

Eddie Falvey
December 27, 2018
Analysis, Features, Top 10
CUT TO: Int. a nondescript seminar room in a middling-to-good university. The class: Screenwriting 101. The lesson: Show, don’t tell. It’s the simple but powerful lesson that all new writers are...
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Anne V. Coates – A Retrospective

Carmen Paddock
May 13, 2018
Analysis, Features, One Off
Patton Oswalt once made a joke about the creators of some of his favourite films: I love movies.  And any movie that you love, chances are it was directed by a man, edited by a woman, which means a woman...
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ORWAV Oscars 2018 – The Results

Tom Bond
March 4, 2018
Analysis, Features, One Off
For once our ORWAV Oscar nominations turned up a similar list to the Academy, suggesting that this time, maybe, they’ve recognised the right performances and films. With just a handful of underdogs creeping...
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Method in his madness: An exploration of Daniel Day-Lewis’ Oscar-worthy performances

Tori Brazier
March 3, 2018
Features, Independent, One Off
Daniel Day-Lewis is probably the most famous method actor in the world. Although this practice was brought to prominence on screen by classic stars such as Marlon Brando and James Dean in the 1950s, who were...
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