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Radiance – Cannes 2017 Review

If there’s one thing a film festival always proves, it’s that there are countless ways to see the world: fast, slow; violent, peaceful; restrained, exaggerated; joyous and heartbreaking. Naomi Kawase’s...
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Sweet Bean – Review

Despite being a Cannes favourite, Naomi Kawase is a marginal director both domestically and internationally. Sweet Bean shows why this needs to change. Her talent is most evident when the elderly Tokue (Kirin...