article placeholder

Ray & Liz – Review

Ray and Liz are not the stars of their namesake film. Their presences hang spectrally around the edges – never fully-realised, but omnipresent. Saturating his images in the subjective haze of memory,...
article placeholder

Fighting With My Family – Review

Wrestlers have a long tradition of going from the ring to the big screen, from Hulk Hogan and Roddy Piper to Dave Bautista and John Cena. Then of course there's The Rock, who produces and appears as himself in...
article placeholder

If Beale Street Could Talk – Review

This review was originally published as part of our London Film Festival coverage on 21/10/2018. New York in Barry Jenkins’ If Beale Street Could Talk is pulsating, alive and wholly authentic – populated...
article placeholder

Boy Erased – Review

In Deep Impact/Armageddon tradition, Joel Edgerton’s sophomore directing effort is the second film about young people subjected to gay conversion therapy released in a matter of months. As such, Boy Erased...
article placeholder

Beautiful Boy – Review

This review was originally published as part of our London Film Festival coverage on 13/10/2018. Journalist David Sheff and his son Nic exist on opposite ends of a spectrum; at once, they balance out a...
article placeholder

The Upside – Review

Red flags marked the road to release for The Upside, a remake of 2011 French odd-couple runaway hit Intouchables, with its March 2018 release date scrapped amid the seismic scandal of one-time producer Harvey...
article placeholder

Life Itself – Review

This review was originally published as part of our London Film Festival coverage on 15/10/2018. You know the dude in Starbucks, the one with the thick-rimmed glasses, chequered shirt and a macchiato...
article placeholder

Welcome to Marwen – Review

Steve Carell continues his fine run of dramatic turns in this seemingly whimsical yet serious study of trauma. He portrays Mark Hogancamp, an artist badly beaten in a gang assault who creates his own therapy...
article placeholder

Dublin Oldschool – LFF 2018 review

In spite of its name, Dublin Oldschool spends very little time actually considering its distinct and characterful setting. Throughout, there’s a general disregard for any storytelling possibilities laid...
article placeholder

Blaze – LFF 2018 review

Shot dead at the age of 39 in a mundane dispute over a friend’s pension slip, Blaze Foley has been folded into country music legend – spoken of in whispers, his influences keenly felt but never explicitly...
article placeholder

Life Itself – LFF 2018 review

You know the dude in Starbucks, the one with the thick-rimmed glasses, chequered shirt and a macchiato who’s forever working on his screenplay? Well, Life Itself is that very screenplay, and somehow it’s...