Parasite – Review Tom Bond February 7, 2020 Reviews Originally reviewed as part of our Cannes Film Festival coverage in May 2019. There’s a lesser version of this film full of simple, signposted twists, broad, caricatured performances, and crude, obvious...
Pain and Glory – Review Tom Bond August 19, 2019 Reviews It’s easy to throw a film like Pain and Glory into all sorts of boxes – boxes marked ‘self-portrait’, ‘self-indulgent’ and ‘love letter to cinema’ – but that would be to cheapen a beguiling...
Matthias & Maxime – Cannes 2019 Review Tom Bond May 27, 2019 Reviews Xavier Dolan's had a tough few years. The Canadian wunderkind's last two efforts It's Only the End of the World and The Death and Life of John F. Donovan have bombed hard, but in Matthias & Maxime he...
Ice on Fire – Cannes 2019 Review Tom Bond May 23, 2019 Reviews In a sane world, Ice on Fire wouldn't exist. Mass global audiences would've been woken up by the comprehensive climate change warnings of An Inconvenient Truth back in 2006, rather than simply stirring in...
La Belle Époque – Cannes 2019 Review Tom Bond May 22, 2019 Reviews What would you give to go back and experience any point in history however you wished? Time travel may be impossible, but considering the relentless march of technology and filmmaking it’s not inconceivable...
Rocketman – Review Ben Flanagan May 21, 2019 Reviews As Elton John plays his first LA show, he begins to levitate, only tethered to earth by fingers on the piano. The crowd lift too as ‘Crocodile Rock’ slows down to a crawl, a moment of sublime magical...
A Hidden Life – Cannes 2019 Review Tom Bond May 20, 2019 Reviews There’s a stereotype of a Terrence Malick film, if you’re feeling mean. Beautiful, sure; but also a glorified perfume ad, full of twirling girls and little substance. His most recent efforts – To the...
Vivarium – Cannes 2019 Review Tom Bond May 19, 2019 Reviews Don’t even talk to me about getting a mortgage. In this economy? May as well resign yourself to renting forever and raising your own Chernobyl of a nuclear family from a cupboard under the stairs. Vivarium...
Under the Silver Lake – Review Tom Bond March 16, 2019 Reviews This review was originally published as part of our Cannes coverage on 18/05/2018. “Ever get the feeling you fucked up somewhere a long time ago and you’re living a bad version of the life you were...
Shoplifters – Review Tom Bond November 23, 2018 Reviews This film was previously reviewed on 15/05/2018 as part of the Cannes Film Festival. Hirokazu Kore-eda is on familiar ground with Shoplifters, the story of an unconventional family unit on the fringes of...
Pope Francis: A Man of His Word – Review Tom Bond August 10, 2018 Reviews You may expect a film about the current Pope to be of interest only to religious viewers, but veteran director Wim Wenders tries his hardest to generate a broader audience for his gentle documentary. This is a...
Asako I & II – Cannes 2018 Review Tom Bond May 23, 2018 Reviews Ryûsuke Hamaguchi’s Asako I & II is an endearing Japanese rom-com with a high-concept premise. Asako (Erika Karata) falls in love with Baku (Masashiro Higashide) at university, but he walks out of her...
Long Day’s Journey Into Night – Cannes 2018 Review Tom Bond May 20, 2018 Reviews Long Day’s Journey Into Night is the kind of audacious filmmaking experiment for which film festivals like Cannes were invented. It favours mood and an ingenuity of image over any instinct to deliver a...
At War – Cannes 2018 Review Tom Bond May 20, 2018 Reviews The spirit of ’68 is alive and kicking in At War, the latest politically charged drama from the formidable pairing of director Stéphane Brizé and actor Vincent Lindon. We’re thrown straight into the...
Under the Silver Lake – Cannes 2018 Review Tom Bond May 18, 2018 Reviews “Ever get the feeling you fucked up somewhere a long time ago and you’re living a bad version of the life you were supposed to have?” Under the Silver Lake, from It Follows director David Robert...