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Jeune Femme – Cannes 2017 Review

Roaring down the trail blazed by the likes of Lena Dunham’s Girls, Phoebe Waller-Bridge’s Fleabag and Gillian Robespierre’s Obvious Child, Jeune Femme is the most memorable and entertaining film of the...
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The Day After – Cannes 2017 Review

Director Hong delivers his second stunner of the festival with The Day After, a hilarious and profound comedy of errors set in a Korean publishing firm whose unfaithful boss finds his affair, his work life and...
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Happy End – Cannes 2017 Review

Austere, 75-year-old auteur Michael Haneke might not seem the most obvious choice to comment on the current landscape of live streaming and democratic video, but he proves himself a master of all forms of...
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Claire’s Camera – Cannes 2017 Review

There aren’t many films that make you question the meaning of cinema. Claire’s Camera, written and directed by Hong Sang-soo, is one of those films. It forms a fascinating counterpoint to the recent...
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Fortunata – Cannes 2017 Review

What separates the successful and the failures in life? The rich and the poor? Is it a question of hard work, talent, or just luck? Fortunata, the latest film from experienced actor Sergio Castellito, suggests...
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Le Venerable W. – Cannes 2017 Review

Extreme Buddhism might sound like the brainstorm of a BBC Three producer, but in Barbet Schroeder’s ferocious documentary it’s about as far from a laughing matter as you could imagine. Despite their serene...
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Graduation (Bacalaureat) – Review

Joint winner of Best Director at Cannes 2016, Cristian Mungiu returns with his finest work since his sublime Palme d'Or winner 4 Months, 3 Weeks and 2 Days with Graduation, an intelligent, elegant, morally...
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Personal Shopper – Review

Best described as "divisive" at its Cannes premiere, Olivier Assayas and Kristen Stewart's brave and uncategorisable second collaboration Personal Shopper swings fearlessly for the fences and only narrowly...
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Elle – Review

Raucous, outrageous and more than a little bit preposterous, Paul Verhoeven's provocative “rape comedy” Elle will ruffle feathers for its apparently callous use of rape as a narrative device – but,...
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Loving – Review

Its fascinating subject and a pair of wonderfully nuanced performances - from the glowing and defiant Ruth Negga in particular - can't keep Loving from feeling somewhat safe and unadventurous, helmed though it...