Tagged Cannes

This film was previously reviewed in May 2018 as part of our Cannes Film Festival coverage. The Dead and the Others is a complex creation from directors Joao Salaviza and Renee Nader Messora, which can’t...

This film was previously reviewed in May 2019 as part of our Cannes Film Festival coverage. Codes and communication are vital parts of any crime film. After all, it's much easier to double-cross your...

Elia Suleiman is trying to make a film about his native Palestine. It'll be about the conflict, but with a focus on the people living through it, and it'll be a comedy. To get it financed he must travel to...

Originally reviewed as part of our Cannes Film Festival coverage in May 2019. Portraying someone in a work of art inevitably means gathering intimate details about their life. The way they blush when...

Originally reviewed as part of our Cannes Film Festival coverage in May 2019. There’s a lesser version of this film full of simple, signposted twists, broad, caricatured performances, and crude, obvious...

It’s easy to throw a film like Pain and Glory into all sorts of boxes – boxes marked ‘self-portrait’, ‘self-indulgent’ and ‘love letter to cinema’ – but that would be to cheapen a beguiling...

Xavier Dolan's had a tough few years. The Canadian wunderkind's last two efforts It's Only the End of the World and The Death and Life of John F. Donovan have bombed hard, but in Matthias & Maxime he...

In a sane world, Ice on Fire wouldn't exist. Mass global audiences would've been woken up by the comprehensive climate change warnings of An Inconvenient Truth back in 2006, rather than simply stirring in...

Any film not made for mass audiences is always at risk of sliding into a montage of first world problems, such is the class barrier that remains in the film industry. Frankie is a great example of this...

What would you give to go back and experience any point in history however you wished? Time travel may be impossible, but considering the relentless march of technology and filmmaking it’s not inconceivable...

As Elton John plays his first LA show, he begins to levitate, only tethered to earth by fingers on the piano. The crowd lift too as ‘Crocodile Rock’ slows down to a crawl, a moment of sublime magical...

There’s a stereotype of a Terrence Malick film, if you’re feeling mean. Beautiful, sure; but also a glorified perfume ad, full of twirling girls and little substance. His most recent efforts – To the...

Don’t even talk to me about getting a mortgage. In this economy? May as well resign yourself to renting forever and raising your own Chernobyl of a nuclear family from a cupboard under the stairs. Vivarium...

This review was originally published as part of our Cannes coverage on 18/05/2018. “Ever get the feeling you fucked up somewhere a long time ago and you’re living a bad version of the life you were...

This film was previously reviewed on 15/05/2018 as part of the Cannes Film Festival. Hirokazu Kore-eda is on familiar ground with Shoplifters, the story of an unconventional family unit on the fringes of...