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Surge – Review

This film was previously reviewed in February 2020 as part of our Berlinale coverage. Ben Whishaw is certainly one of the finest actors of his generation, and Aneil Karia’s Surge is a film which allows...
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Spotlight: Ben Whishaw

Expect Ben Whishaw to be a familiar face on our cinema screens this year. He’s just appeared as the villainous Uriah Heep in Armando Iannucci’s The Personal History of David Copperfield, he’s reprising Q...
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Mary Poppins Returns – Review

While not technically part of the trend for live-action Disney remakes, Mary Poppins Returns has a symmetry with the 1964 film that is hard to miss. There’s Americans playing cockneys, children stepping into...
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Paddington 2 – Review

In the time between the release of the sublime first Paddington film in 2014 and the debut of its sequel this year, the UK has become a darker place. Brexit and isolationist xenophobia hang heavy in the air,...
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The Danish Girl – Review

We’ve come a long way since the days of Lili Elbe and Gerde Wegener. Transgender issues that made chaos of their lives now have mainstream acceptance, but Hooper’s direction is refreshingly frank about how...
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In the Heart of the Sea – Review

Ron Howard’s In the Heart of the Sea is nothing that we haven’t seen before, least of all from the man himself – moral characters, personality clashes, a dramatic score and attempts to survive the...
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The Lobster – Review

The Lobster delicately balances humour and brutality to tell a brilliantly absurd, yet altogether touching story. The largely matter-of-fact cinematography is beautifully offset by scenes in dramatic slow...
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The Zero Theorem – Review

The Zero Theorem is unmistakably a Terry Gilliam film, for better or worse. He has created a deliciously chaotic dystopia, saturated with colour and adverts, but his ramshackle directing threatens to disengage...