Calm With Horses – LFF 2019 Review
Nick Rowland’s feature debut, based on a short story, starts with explosive, explicit violence that immediately and effectively establishes the world: unforgiving, honour-bound, and never without the threat...
American Animals – Review
Few documentary makers have a flair for cinematic storytelling quite like Bart Layton. His blistering debut, The Imposter, feels like a thriller despite being mostly a collection of talking head interviews....
ORWAV’s Unlikely Picks for the 2018 Oscars
Every year your favourite films are robbed (robbed, you hear me!) of the little gold statues they deserve. And we all know why. Despite the bold changes begun in the wake of #OscarsSoWhite, the Academy...