ORWAV’s Top 20 Films of 2021: #8 – First Cow Louise Burrell December 31, 2021 Analysis, Features, Opinion With an outpouring of festival and critics’ awards over the last 18 months, it seemed almost certain that Kelly Reichardt’s stunning First Cow would garner a handful of Academy Awards nominations in early...
Another Round – Review Rob Salusbury July 2, 2021 Reviews This film was previously reviewed in October 2020 as part of our London Film Festival coverage. Another Round sees the Danish dream team of Mads Mikkelsen and Thomas Vinterberg finally back together, eight...
The Filmmaker’s House – Review Nick Davie June 26, 2021 Reviews This film was previously reviewed in July 2020 as part of our Sheffield Doc/Fest coverage. Part-documentary, part-fiction, Marc Isaacs invites audiences into his home, in this overtly invasive and...
Why First Cow Was The Biggest Oscar Snub This Year Louise Burrell March 27, 2021 Analysis, Features, Opinion With an outpouring of festival and critics awards over the last 12 months, it seemed almost certain that Kelly Reichardt’s stunning First Cow would garner a handful of Academy Awards nominations. But in a...
Bad Tales – Review Fatima Sheriff February 19, 2021 Reviews This film was previously reviewed in October 2020 as part of our coverage for London Film Festival. Through several sinister vignettes, Bad Tales (originally titled Favolacce) covers the usual traumas of...
King Rocker – Review Rob Salusbury February 6, 2021 Reviews This film was previously reviewed in June 2020 as part of our Sheffield Doc/Fest coverage. Many so-called rockumentaries have tackled the pressures and pains that come with rock and roll stardom. But a...
Blithe Spirit – Review Fatima Sheriff January 18, 2021 Reviews Hail to thee, Dan Stevens, once again a man with writer’s block, haunted by ghosts at his desk. In 2017, Charles Dickens, and now as Charles Condomine, the no-good cad at the heart of Noël Coward’s...
ORWAV’s Top 20 Films of 2020: #9 – Rocks Angela Moore December 27, 2020 Analysis, Features, Top 10 Rocks was a shot of life and energy in an otherwise listless year. The film takes us into the world of a group of young girls in Hackney – their loyalties and their rivalries, their music and their jokes. It...
Beasts Clawing at Straws – Review Nick Davie December 16, 2020 Reviews Kim Yong-hoon’s debut feature Beasts Clawing at Straws is a darkly comic thriller that is befitting of post-Parasite South Korean cinema. This smart neo-noir is a slow burner that catalogues the...
Relic – Review Rob Salusbury November 1, 2020 Reviews This review was originally published as part of our London Film Festival 2020 coverage. Playing out like a particularly morbid episode of Who Do You Think You Are?, the Australia-set Relic digs into a...
The Secret Garden – Review Fatima Sheriff October 25, 2020 Reviews Based on the novel from 1910, this remake shifts the famous story to 1947. Mary Lennox (Dixie Egerickx) is rescued from an India torn apart by Partition and travels to her uncle (Colin Firth) in the crumbling...
Eyimofe (This is My Desire) – LFF 2020 Review Tom Bond October 11, 2020 Reviews When we think of capitalism we think of suited bankers and Western businessmen; if our thoughts stray to less economically developed countries, it is only as the victims of capitalism, whether that’s from...
I Am Samuel – LFF 2020 Review Rob Salusbury October 10, 2020 Reviews “Alex is the love of my life… we belong together.” What appears to be a sweet and earnest declaration of love from Samuel, the subject of Peter Murimi’s vital documentary, swiftly becomes a defiant...
Saint Maud’s Feminist Evolution of Body Horror Rob Salusbury October 9, 2020 Analysis, Features, Opinion The role of the female within horror cinema has always been a complex and hotly debated topic. Some argue that the frequent depiction of the monstrous female - most commonly realised through the figure of the...
Honeymood – LFF 2020 Review Fatima Sheriff October 8, 2020 Reviews Two newlyweds arrive in their shiny hotel suite, exhausted but ecstatic, surrounded by gifts and luxury. Eleanor (Avigail Harari) discovers a hidden wedding gift in her husband Noam’s (Ran Danker) pocket and...