The Fabelmans – TIFF 2022 Review Alysha Prasad October 3, 2022 Reviews Gabriel LaBelle in his lead breakout role takes on the challenge of playing Sammy Fabelman, an aspiring filmmaker based on Steven Spielberg, in the highly anticipated semi-autobiographical film, The Fabelmans,...
Nous – Review Carmen Paddock June 29, 2022 Reviews This film was previously reviewed in March 2021 as part of our Berlinale coverage. Alice Diop’s latest documentary captures life in the Paris suburbs, meandering between characters, vignettes, and...
Moon, 66 Questions – Review Josefine Algieri June 25, 2022 Reviews This film was previously reviewed in March 2021 as part of our Berlinale coverage. Caring for an ailing loved one means carrying the burden of their deteriorating health, supporting them both mentally and...
The Fam – Review Carmen Paddock February 27, 2022 Reviews This film was previously reviewed in March 2021 as part of our Berlinale coverage. The teenagers passing through this Swiss halfway home have suffered various traumas and losses, but their ebullience and...
Ballad of a White Cow – Review Josefine Algieri February 10, 2022 Reviews This film was previously reviewed in March 2021 as part of our Berlinale coverage. In Ballad of a White Cow (Ghasideyeh gave sefid) director duo Maryam Moghaddam and Behtash Sanaeeha explore injustice and...
The Souvenir Part II – Review Daniel Theophanous February 4, 2022 Reviews This film was previously reviewed in October 2021 as part of our LFF coverage. There was some mild trepidation venturing into Joanna Hogg’s The Souvenir Part II with knowledge of the absence of Anthony,...
ORWAV’S Top 20 Films of 2021: #2 – The Green Knight Carmen Paddock December 31, 2021 Analysis, Features, Top 10 Recent cinema has been marked by its reckoning with myths and legends: some based in truth, some overt fabrications, some lost to time, some painfully traceable. Spencer tackles the Royal Family; Dune brings a...
ORWAV’s Top 20 Films of 2021: #8 – First Cow Louise Burrell December 31, 2021 Analysis, Features, Opinion With an outpouring of festival and critics’ awards over the last 18 months, it seemed almost certain that Kelly Reichardt’s stunning First Cow would garner a handful of Academy Awards nominations in early...
ORWAV’s Top 20 Films of 2021: #20 to #11 David Brake December 30, 2021 Analysis, Features, Top 10 Well, 2021 wasn't the improvement we all deserved after a dire 2020. Perhaps that was just wishful thinking. I sincerely hope that you and your family are safe and well, as we prepare to enter year three of...
Bliss – Review Josefine Algieri December 24, 2021 Reviews This film was previously reviewed in March 2021 as part of our Berlinale coverage. The English title of Henrika Kull’s film Glück limits the meaning to a single implication: bliss, after all, is the...
The Trouble With Being Born – Review Carmen Paddock November 27, 2021 Reviews The uncanny tips into the unnerving - and then the downright disturbing - with alacrity in Sandra Wollner’s tale of futuristic family trauma. The Trouble With Being Born, in the case of protagonist Ellie, is...
Bad Luck Banging or Loony Porn – Review Carmen Paddock November 26, 2021 Reviews This film was previously reviewed in March 2021 as part of our Berlinale coverage. Not many films can start with three minutes of explicit sex and proceed to be both smarter and more shocking from there,...
Petite Maman – Review Josefine Algieri November 19, 2021 Reviews This film was previously reviewed in March 2021 as part of our Berlinale coverage. Céline Sciamma has always excelled at bringing magic to the screen – even more so in her latest feature Petite Maman...
My Little Sister – Review Josefine Algieri October 7, 2021 Reviews This film was previously reviewed in February 2020 as part of our Berlinale coverage. There often exists an inexplicable and intense bond between twins; My Little Sister (Schwesterlein) explores the limits...
Anne at 13,000 ft – Review Rhys Handley September 29, 2021 Reviews This film was previously reviewed as part of our coverage for Berlinale 2020. Daycare assistant Anne has fallen, literally, in love. In the opening moments of Canadian director Kazik Radwanski’s sublime...