24 Frames – Cannes 2017 Review Tom Bond May 28, 2017 Reviews The late Abbas Kiarostami was a true visionary, responsible for some of the most powerful and thought-provoking cinema of the last four decades. He continues to pursue new ways of expressing himself in 24...
War Machine – Review Calum Baker May 28, 2017 Reviews As Obama announces the upcoming withdrawal of troops, General Glen McMahon (Pitt) laments eight years wasted on a losing battle. You can sympathise; War Machine is only two hours, but almost every minute is...
I Am Not Madame Bovary – Review L D May 27, 2017 Reviews To immediately disappoint fans of Gustave Flaubert, I Am Not Madame Bovary has no likeness to Madame Bovary other than its title. Chosen by the film’s translators as a more recognisable defamation than the...
The Red Turtle – Review Tom Bond May 26, 2017 Reviews Expectations are high whenever you see a Studio Ghibli ident at the start of an animation. They’re arguably even higher now the studio has all but shut up shop. The Red Turtle isn’t a homegrown Ghibli...
Dopo La Guerra – Cannes 2017 Review Tom Bond May 23, 2017 Reviews Dopo La Guerra tells the half-true story of a group of Italian far-left political terrorists, whose amnesty to live in France was rescinded in 2002. Annarita Zambrano’s tense film combines thriller and...
Jeune Femme – Cannes 2017 Review Tom Bond May 23, 2017 Reviews Roaring down the trail blazed by the likes of Lena Dunham’s Girls, Phoebe Waller-Bridge’s Fleabag and Gillian Robespierre’s Obvious Child, Jeune Femme is the most memorable and entertaining film of the...
Out – Cannes 2017 Review Tom Bond May 23, 2017 Reviews Gyorgy Kristóf’s Out proves that unemployment and fear of foreign workers aren’t limited to the more affluent nations of Europe in this sweet story about a factory worker struggling to get by. Ágoston...
Radiance – Cannes 2017 Review Tom Bond May 23, 2017 Reviews If there’s one thing a film festival always proves, it’s that there are countless ways to see the world: fast, slow; violent, peaceful; restrained, exaggerated; joyous and heartbreaking. Naomi Kawase’s...
Baywatch – Review Marcus Beard May 23, 2017 Reviews Being superficial isn't always a bad thing. If you're aware of your own tendency for cheap thrills, tight asses and ripped torsos, you can lean into it and not come off as an asshole. Baywatch is vapid and...
The Day After – Cannes 2017 Review Tom Bond May 22, 2017 Reviews Director Hong delivers his second stunner of the festival with The Day After, a hilarious and profound comedy of errors set in a Korean publishing firm whose unfaithful boss finds his affair, his work life and...
Pirates of the Caribbean: Salazar’s Revenge – Review Joni Blyth May 22, 2017 Reviews Pirates of the Caribbean: Salazar’s Revenge is at its best with its feet firmly placed on dry land. The first act features some inventive and amusing capers in the port of St Martin, but unfortunately the...
The Killing Of A Sacred Deer – Cannes 2017 Review Tom Bond May 22, 2017 Reviews If you ever get invited to a Cannes beach party, never play "Would You Rather… ?" with Yorgos Lanthimos. The Greek writer-director has a perverse mind quite unlike anyone else working today, with previous...
Happy End – Cannes 2017 Review Tom Bond May 22, 2017 Reviews Austere, 75-year-old auteur Michael Haneke might not seem the most obvious choice to comment on the current landscape of live streaming and democratic video, but he proves himself a master of all forms of...
Claire’s Camera – Cannes 2017 Review Tom Bond May 21, 2017 Reviews There aren’t many films that make you question the meaning of cinema. Claire’s Camera, written and directed by Hong Sang-soo, is one of those films. It forms a fascinating counterpoint to the recent...
BPM (Beats Per Minute) – Cannes 2017 Review Tom Bond May 21, 2017 Reviews Acclaimed writer/director Robin Campillo returns with BPM (Beats Per Minute), an incendiary and challenging film about the Act Up AIDS protest movement in France in the nineties. This might sound like a...