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24 Frames – Cannes 2017 Review

The late Abbas Kiarostami was a true visionary, responsible for some of the most powerful and thought-provoking cinema of the last four decades. He continues to pursue new ways of expressing himself in 24...
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War Machine – Review

As Obama announces the upcoming withdrawal of troops, General Glen McMahon (Pitt) laments eight years wasted on a losing battle. You can sympathise; War Machine is only two hours, but almost every minute is...
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I Am Not Madame Bovary – Review

To immediately disappoint fans of Gustave Flaubert, I Am Not Madame Bovary has no likeness to Madame Bovary other than its title. Chosen by the film’s translators as a more recognisable defamation than the...
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The Red Turtle – Review

Expectations are high whenever you see a Studio Ghibli ident at the start of an animation. They’re arguably even higher now the studio has all but shut up shop. The Red Turtle isn’t a homegrown Ghibli...
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Dopo La Guerra – Cannes 2017 Review

Dopo La Guerra tells the half-true story of a group of Italian far-left political terrorists, whose amnesty to live in France was rescinded in 2002. Annarita Zambrano’s tense film combines thriller and...
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Jeune Femme – Cannes 2017 Review

Roaring down the trail blazed by the likes of Lena Dunham’s Girls, Phoebe Waller-Bridge’s Fleabag and Gillian Robespierre’s Obvious Child, Jeune Femme is the most memorable and entertaining film of the...
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Out – Cannes 2017 Review

Gyorgy Kristóf’s Out proves that unemployment and fear of foreign workers aren’t limited to the more affluent nations of Europe in this sweet story about a factory worker struggling to get by. Ágoston...
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Radiance – Cannes 2017 Review

If there’s one thing a film festival always proves, it’s that there are countless ways to see the world: fast, slow; violent, peaceful; restrained, exaggerated; joyous and heartbreaking. Naomi Kawase’s...
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Baywatch – Review

Being superficial isn't always a bad thing. If you're aware of your own tendency for cheap thrills, tight asses and ripped torsos, you can lean into it and not come off as an asshole. Baywatch is vapid and...
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The Day After – Cannes 2017 Review

Director Hong delivers his second stunner of the festival with The Day After, a hilarious and profound comedy of errors set in a Korean publishing firm whose unfaithful boss finds his affair, his work life and...
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Happy End – Cannes 2017 Review

Austere, 75-year-old auteur Michael Haneke might not seem the most obvious choice to comment on the current landscape of live streaming and democratic video, but he proves himself a master of all forms of...
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Claire’s Camera – Cannes 2017 Review

There aren’t many films that make you question the meaning of cinema. Claire’s Camera, written and directed by Hong Sang-soo, is one of those films. It forms a fascinating counterpoint to the recent...