Fire of Love – Sundance 2022 Alysha Prasad January 25, 2022 Reviews Narrated by the incredible Miranda July, Sara Dosa’s documentary Fire of Love is an ode to the daring French volcanologist couple, Katia and Maurice Krafft, who spent their lives chasing volcanic eruptions...
Nightmare Alley – Review Carmen Paddock January 23, 2022 Reviews As Stanton Carlisle leaves an unidentified body and his family home going up in flames, Guillermo del Toro establishes that his latest noir is far from a straight adaptation of William Lindsay Gresham’s 1946...
When You Finish Saving the World – Sundance 2022 Review Alysha Prasad January 22, 2022 Reviews Sometimes it’s simply easier to avoid the question “are you happy?”, than to answer it with candour. The highly anticipated directorial debut by Jesse Eisenberg, When You Finish Saving the World, begins...
Munich: The Edge of War – Review Carmen Paddock January 22, 2022 Reviews It is difficult to make a thriller about history, especially events as well-known as the talks between Chamberlain’s Britain and Hitler’s Germany. Munich: The Edge of War, adapted from Robert Harris’...
Belfast – Review Anna McKibbin January 21, 2022 Reviews This film was previously reviewed in October 2021 as part of London Film Festival. The glinting silver off the Titanic Quarters, the sweeping green of Cave Hill, the bouncing yellow of the Harland &...
Cicada – Review Anahit Behrooz January 21, 2022 Reviews This film was previously reviewed in October 2020 as part of our London Film Festival coverage. “You’re back on the dick,” a friend of Ben’s shrewdly observes minutes into their coffee date. She’s...
The Tragedy of Macbeth – Review Weiting Liu January 14, 2022 Reviews This film was previously reviewed in September 2021 as part of our New York Film Festival coverage. The Tragedy of Macbeth marks Joel Coen’s dual venture into a metatextual adaptation of William...
Cow – Review Alysha Prasad January 14, 2022 Reviews This film was previously reviewed in July 2021 as part of our Cannes Film Festival coverage. Andrea Arnold’s newest film, Cow, documents the daily lives of two cows, Luma and her recently born calf whose...
Licorice Pizza – Review Anahit Behrooz January 4, 2022 Reviews Two young people are running: towards each other, away from each other, with each other – the direction barely matters, just that they don’t stop. The sun burns bright overhead, casting everything in...
The Electrical Life of Louis Wain – Review Carmen Paddock January 2, 2022 Reviews As Olivia Colman’s spry narration whisks viewers back to a storybook fin-de-siècle London, Louis Wain struggles to keep his five sisters housed and fed. His one talent – drawing animals – has never been...
The Humans – Review George Howarth December 29, 2021 Reviews A24 could almost qualify as a genre in itself at this stage. The distributor’s slew of offbeat masterpieces now means the name alone is a hallmark of cinema; so it seems only natural that The Humans, the...
Titane – Review Alysha Prasad December 24, 2021 Reviews This film was previously reviewed in July 2021 as part of our Cannes Film Festival coverage. Julia Ducournau, French director of the bloody 2016 masterpiece, Raw, graces Cannes Film Festival once more with...
Bliss – Review Josefine Algieri December 24, 2021 Reviews This film was previously reviewed in March 2021 as part of our Berlinale coverage. The English title of Henrika Kull’s film Glück limits the meaning to a single implication: bliss, after all, is the...
The Unforgivable – Review Patrick Nabarro December 21, 2021 Reviews On paper, the credentials for The Unforgivable must have seemed promising. It had been adapted from Sally Wainwright's generally well-received British TV series, Unforgiven, from 2009, it featured a scenario...
The Lost Daughter – Review Tom Bond December 17, 2021 Reviews This film was previously reviewed in September 2021 as part of our Venice Film Festival coverage. Directing your debut feature as an established actor has its pros and cons. You can call in favours to land...