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Been So Long – LFF 2018 Review

In 2018, with rom-coms and musicals well and truly back with a vengeance, this beautiful, neon-drenched romantic drama couldn’t have come at a better time. Based on the Young Vic’s stage musical of the...
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Border (Gräns) – LFF 2018 Review

Ali Abbasi’s Border is a strange breed of film, much like its protagonist, Tina (Eva Melander) – a border control officer with a bizarre ability to smell illegal activity. Abbasi reimagines a short story...
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Widows – LFF 2018 Review

As one of the most rigorous and unflinching auteurs to emerge in the last decade, it would have been hard to guess that Steve McQueen’s fourth feature, Widows – his first since his Oscar-winning 12 Years...
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Ash is Purest White – Review

This review was originally published as part of our London Film Festival coverage on 11/10/2018. When is an epic not an epic? When nothing of note ever seems to happen. Jia Zhangke’s latest film has all...
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Thunder Road – Review

This review was originally published as part of our London Film Festival coverage on 09/10/2018. As a writer-director-star of any given movie, you’re walking a fine line between uncompromising artistic...
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Team Talk – Venom

Shrouded by rumours of production difficulties and creative differences in the cutting room, Ruben Fleischer’s iteration of Venom hit cinemas this week with the almost universally preconceived – perhaps...
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Columbus – Review

A wayward friendship made in passing in a similar manner to Sofia Coppola’s Lost in Translation, Cho’s slightly dickish but quietly wounded Jin and Richardson’s similarly hurt but enthusiastic Casey meet...
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22 July – Review

How soon is too soon to make drama out of tragedy is a question that Hollywood has long wrestled with. 22 July director Paul Greengrass knows this terrain perhaps better than anyone, having helmed United 93...
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A Star is Born – Review

From the moment Lady Gaga was cast in this fourth big-screen iteration of A Star is Born, everyone involved must have been thrilled to have its title take on such an obvious double meaning. She is, of course,...
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Lizzie – LFF 2018 Review

Lizzie wastes no time laying out its theories as to who committed the 1892 Borden murders, a grisly double homicide by hatchet for which no one was ever found guilty. Opening on the immediate aftermath of the...
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Venom – Review

There's a line in Venom about a "turd in the wind" that seems tailor-made for angry critics. But to use it in a review would give the screenwriters too much credit. It would be easy to blame all the...
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The Wife – Review

Although completed last year, the rumour mill tells us that The Wife was held back from cinemas until now in order to give Glenn Close a better shot at an Oscar nomination for her performance as Joan...
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Black 47 – Review

A conventional thriller in an unconventional setting, Black 47 lays the bleakness on pretty thick to establish the woeful world in which we find ourselves. War, famine, greed, wrath – the seven sins, the...