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Fahrenheit 11/9 – LFF 2018 review

“How the fuck did we get here?” asks Michael Moore at the start of his new documentary-cum-raging leftist polemic Fahrenheit 11/9, reflecting on the night Donald Trump was named 45th President of the...
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The Front Runner – LFF 2018 Review

It’s a tough time to talk about America; any film covering politics is drawn into the vortex of the current climate. The Front Runner is no exception; in positioning itself as something of a quasi-origin...
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Rafiki – LFF 2018 Review

The title may mean “friend”, but the relationship between the two teen girls at the centre of Wanuri Kahiu’s Rafiki runs far deeper than that. Provoking a storm of controversy upon its initial...
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Dogman – LFF 2018 Review

An easy way to raise a film’s stakes is to put an infant or pet in harm's way. What impresses most in Matteo Garrone’s Dogman is that it manages to take the crown of 2018’s most stressful film while...
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First Man – Review

Damien Chazelle trades in the arts for the sciences with First Man, focusing in on Neil Armstrong’s moon landing in this handsome, technically astonishing awards contender. It’s a surprising choice for the...
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Irene’s Ghost – LFF 2018 review

Most of us have relatives we hardly remember – an aunt, cousin or grandparent dead before we were born or when we were too young to form lasting memories. And although an impression is made, their memory...
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Beautiful Boy – LFF 2018 review

Journalist David Sheff and his son Nic exist on opposite ends of a spectrum; at once, they balance out a complete picture while repelling and aggravating each other in equal measure. Belgian director Felix...
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Sometimes Always Never – Review

This review was originally published as part of our London Film Festival coverage on 13/10/2019. Loss and longing has ripped through three generations of the Mellor family. The setup is bleak, the visual...
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Green Book – LFF 2018 Review

An obvious crowd pleaser and Oscar-friendly awards player, it would be easy to underestimate Green Book. And while it is certainly formulaic, to ignore or dismiss it would be to miss out on one of the warmest...
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Freedom Fields – Review

This review was originally published as part of our London Film Festival coverage on 13/10/2018. For women in post-revolution Libya, trying to "have it all" looks a little different. Freedom Fields tracks...
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Colette – LFF 2018 Review

If you’re not a fan of historical costume dramas, this won’t be the film to convert you – but don’t dismiss it just yet: Colette has the fascinating eponymous French novelist as its subject, a woman...
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Miriam Lies – LFF 2018 Review

After a chaste online romance in which no photos have been exchanged, biracial Miriam (Rodríguez) is shocked to discover that Jean-Louis (Suarez) – the boy she has been planning on inviting to her...