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The Grinch – Review

In the third adaptation of Dr. Seuss’ classic Christmas tale, Benedict Cumberbatch voices the grumpy green in an animation from the studio behind Despicable Me and The Secret Life of Pets. It's a colourful,...
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Wildlife – Review

Paul Dano’s directorial debut comes in the form of Wildlife, a drama about a teenage boy who watches his parents’ marriage fall apart. The film reflects on the mess of relationships and takes parents off...
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The Skier – CFF 2018 Review

Like Cartoon Saloon’s The Breadwinner, The Skier launches headlong into the vivid and colourful world of a determined child on a critical mission. Similarities between the two Middle East-set films end there...
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Nancy – CFF 2018 Review

Christina Choe’s superb feature debut Nancy is paradoxically both compelling and repulsive. Andrea Riseborough anchors the narrative by embodying a character whose odd behaviour is as riveting as it is...
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Widows – Review

As one of the most rigorous and unflinching auteurs to emerge in the last decade, it would have been hard to guess that Steve McQueen’s fourth feature, Widows – his first since his Oscar-winning 12 Years...
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Overlord – Review

With a premise that is essentially Call of Duty: Nazi Zombies – The Movie, Overlord leans heavily into its video game influences, for better and (mainly) worse. One part World War II story, one part schlock...
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Peterloo – Review

For all the wrong reasons, you can tell Peterloo was a passion project for Mike Leigh, and that the longstanding, beloved auteur has a deep fascination for the period. Every scrap of historical detail about...
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Slaughterhouse Rulez – Review

A British comedy horror with Simon Pegg and Nick Frost in? (And the debut for their production firm Stolen Picture?) The Shaun of the Dead comparisons are inevitable, but Slaughterhouse Rulez is a different...
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The Hate U Give – Review

This film was previously reviewed on 21/10/2018 as part of London Film Festival. In George Tillman Jr’s defiant The Hate U Give, Amandla Stenberg gives the performance of her young career as Starr, a...
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Bohemian Rhapsody – Review

Infamously plagued with problems throughout its production, including replacing not only its lead actor but also its director, Freddie Mercury biopic Bohemian Rhapsody offers up very little substance but still...
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A Private War – LFF 2018 Review

A Private War dives right into two warzones. One is more literal, as we meet real-life journalist Marie Colvin chasing down leads in the Sri Lankan rainforest, the other raging within her psyche. Each is well...
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Stan & Ollie – LFF 2018 review

Stan Laurel and Oliver Hardy’s brand of amicable slapstick remains in high esteem for its purity – without agenda, the duo distilled comedy down to its simple, singular objective of making people laugh;...