Cold Pursuit – Review Tom Bond February 20, 2019 Reviews It’s an odd feeling to have a potentially career-ending story about Liam Neeson hit the headlines hours before seeing his latest film. It’s even stranger to digest when that film is a darkly comic and,...
The Kid Who Would Be King – Review Rory Steabler February 19, 2019 Reviews The long wait for writer-director Joe Cornish’s second feature is over, and The Kid Who Would Be King does not disappoint – though it may not be quite what fans of Attack the Block were expecting. While...
Amazing Grace – Berlinale 2019 Review Josefine Algieri February 16, 2019 Reviews It’s a rare thing to see footage from times long past resurface in a feature length film, but Amazing Grace is one such case: filmed in 1971 by none other than Sydney Pollack, it was meant to be a...
Synonymes – Berlinale 2019 Review Carmen Paddock February 16, 2019 Reviews Many films have explored the physical, mental, and emotional toll of starting a new life – whether by choice or force – in a foreign country. Joining this particular brand of coming-of-age story is...
Woo Sang – Berlinale 2019 review Rhys Handley February 16, 2019 Reviews The opening line of Woo Sang must be one of the boldest in recent memory. As the camera sweeps ominously across a modern cityscape, narrator and grieving father Yoo Joong-sik (Sul Kyung-gu) drops his...
What She Said: The Art of Pauline Kael – Berlinale 2019 Review Josefine Algieri February 16, 2019 Reviews “I was lucky enough to be able to write about movies in a way that people were willing to pay for,” Pauline Kael says in the opening of What She Said: The Art of Pauline Kael when asked why she decided to...
Delphine and Carole – Berlinale 2019 Review Josefine Algieri February 16, 2019 Reviews Les insoumuses – the disobedient muses: actress Delphine Seyrig and filmmaker Carole Roussopoulos. Coming together in the early 1970s, they formed a collective focusing on feminist issues and film. They...
We Are Little Zombies – Berlinale 2019 Review Stephanie Watts February 16, 2019 Reviews What would you do if you were a 10-year-old orphan in Japan? Form a rock band with your three orphan friends and become a pop sensation, of course. And in We Are Little Zombies, Makoto Nagahisa’s debut...
Elisa y Marcela – Berlinale 2019 Review Stephanie Watts February 16, 2019 Reviews In Elisa y Marcela, director Isabel Coixet brings a tender story of love and desperation in a time of intolerance to the big screen (and small, with the film being distributed by Netflix). At times less...
Varda by Agnès – Berlinale 2019 Review Josefine Algieri February 16, 2019 Reviews Agnès Varda has in recent years become something of an internet phenomenon. Newly discovered by a younger generation, she has not only reached the status of a beloved icon, but also everyone's favourite...
Ringside – Berlinale 2019 Review Carmen Paddock February 16, 2019 Reviews Sports documentaries have been done to death, but when a compelling, relatable tale of athletic redemption meets an expert storytelling team, the result is a surefire hit. Ringside – following two teenage...
One Thousand Ropes – Berlinale 2019 Review Carmen Paddock February 16, 2019 Reviews Similar to last year’s exceptional Waru, One Thousand Ropes deals with the intergenerational trauma of domestic abuse in New Zealand’s most disadvantaged groups without glossing over facts or showing...
Photograph – Berlinale 2019 Review Josefine Algieri February 14, 2019 Reviews Ritesh Batra excels at slow-burn romance and proves this once again in Photograph. Returning to his native Mumbai after several English-language projects, his latest film draws on the foundation of his 2013...
Anthropocene: The Human Epoch – Berlinale 2019 Review Carmen Paddock February 14, 2019 Reviews This Canadian documentary stems from work that began in 2009, when world environment experts began investigating whether the Earth had left the Holocene epoch and entered the Anthropocene, where humans shaped...
Flesh Out – Berlinale 2019 Review Stephanie Watts February 13, 2019 Reviews “He said I’m not fat,” says Verida to her horrified friend in Flesh Out. The man who has insulted her so much is her fiancé, for whom the young Verida is trying to gain as much weight as possible...