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Rocketman – Review

As Elton John plays his first LA show, he begins to levitate, only tethered to earth by fingers on the piano. The crowd lift too as ‘Crocodile Rock’ slows down to a crawl, a moment of sublime magical...
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Diego Maradona – Cannes 2019 Review

A great man once said that football isn’t a matter of life and death; it’s much more important than that. Asif Kapadia’s intense Diego doc adds religion to the list, focusing on the brief few years when...
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A Hidden Life – Cannes 2019 Review

There’s a stereotype of a Terrence Malick film, if you’re feeling mean. Beautiful, sure; but also a glorified perfume ad, full of twirling girls and little substance. His most recent efforts – To the...
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Vivarium – Cannes 2019 Review

Don’t even talk to me about getting a mortgage. In this economy? May as well resign yourself to renting forever and raising your own Chernobyl of a nuclear family from a cupboard under the stairs. Vivarium...
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Beats – Review

Love pours from every frame of Brian Walsh’s latest feature: tried and tested friendships, nascent romances, and passion for the music and community that drives the underground raves of 1994 Scotland. His...
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The Hustle – Review

A remake of a remake, The Hustle uses its opening credits to set its sights in a different area: the Saturday morning cartoon. Our two leads cartwheel through Hanna Barbera-inspired capers reminiscent of all...
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Destination Wedding – Review

Romcoms have, over the past few years, slowly but steadily been making a deserved comeback – and what could be a better genre to reunite Winona Ryder and Keanu Reeves on screen, more than 25 years after...
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High Life – Review

Travelling at 99% of the speed of light, Clare Denis’s latest feature High Life sees Robert Pattinson’s Monte attempt to raise a baby daughter in deep space. Focusing on three distinct periods in Monte’s...
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Dead Good – Review

While there seem to be no taboo subjects left in 2019, the tranquil opening shot of Rehana Rose’s documentary immediately teases out UK society’s collective discomfort around the business of death....
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Woman at War – Review

Benedikt Erlingsson’s hero, the titular Woman at War, is, at first glance, an ordinary woman: Hella (Halldóra Geirharðsdóttir) leads a perfectly mundane existence as a choir director, cycling cheerfully...
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Tolkien – Review

Dome Karukoski’s biopic of J.R.R. Tolkien brings to life the origins of the author’s career, charting the course of a life taken over by imaginary worlds. Shivering in the trenches, a young Tolkien...
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Bel Canto – Review

Set amidst domestic tension within a non-descript country in Latin America, Bel Canto predominantly follows the perspective of Roxanne Coss (Julianne Moore), an American opera star performing at the private...