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Seberg – Venice 2019 Review

What is it, exactly, with all of this late-‘60s revivalism? Have the eighties played out already? Perhaps it’s a nostalgic symptom of turning into the next terrifyingly unsure decade – has America been...
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Rojo – Review

Benjamín Naishtat’s Argentinian mystery Rojo follows Claudio (Darío Grandinetti), a prominent lawyer whose life begins to unravel after an odd encounter with a stranger. Set in 1975, Rojo’s Argentina is...
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Marriage Story – Venice 2019 Review

If your partner (or, perhaps, ex) is notching Emmy nominations while your play has just been shelved from Broadway, is it justifiable to be jealous? What if your marriage is actively obstructing your ambition?...
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Crawl – Review

This Sam Raimi-produced natural disaster thriller wastes no time getting going and maintains a breakneck pace throughout its 87-minute run time. Artistry is not the aim of Crawl – the main plot points and...
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Pain and Glory – Review

It’s easy to throw a film like Pain and Glory into all sorts of boxes – boxes marked ‘self-portrait’, ‘self-indulgent’ and ‘love letter to cinema’ – but that would be to cheapen a beguiling...
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Once Upon a Time in Hollywood – Review

This review was originally published as part of our Cannes Festival coverage on 23/05/2019. It’s impossible to view Once Upon a Time in Hollywood as anything other than a filmmaker in the twilight of his...
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Good Boys – Review

Based on its trailer, you might expect Good Boys to be an embarrassment of sex jokes pushed upon kids too inexperienced to make them funny. While there is the occasional misfire, Lee Eisenberg and Gene...
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Blinded by the Light – Review

Blinded by the Light presents a rich opportunity: acclaimed director Gurinder Chadha returns to cinemas with another tale of culture clash in the UK, this time touching on Thatcherism, racism, terrible New...
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Hobbs and Shaw – Review

The first Fast and Furious franchise spinoff does exactly what it says on the tin: two fan-favourite characters team up to fight a cybernetically enhanced super-soldier intent on speeding human evolution by...
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Animals – Review

Reluctant adulthood is a current favourite on big and small screenings, and those missing Fleabag or Broad City will find welcome company in this adaptation of Emma Jane Unsworth’s 2014 novel. Animals...
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The Lion King – Review

This is, simply, not a "live-action" remake of The Lion King – and that’s its saving grace. The photorealistic visuals are spectacular as Disney continues to set the agenda for what is possible in...
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Midsommar – Review

If anyone was worried that burgeoning horror auteur Ari Aster was going to mellow out after his disturbing debut, you can sleep easy. Aster’s latest (which shares more than a passing resemblance to...
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Vita & Virginia – Review

Based on a stage play by co-writer Eileen Atkins, Chanya Button’s sophomore feature Vita & Virginia is supposed to be a long overdue film about the great love affair between Virginia Woolf (Elizabeth...