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Futura – TIFF 2021 Review

"I think that the future is a series of tomorrows", "this creed is both religious and individualistic", "fear is not what it used to be. It has turned into anxiety". Believe it or not, these are not the words...
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Silent Land – TIFF 2021 Review

In the sun-soaked lethargy of coastal Italy, a couple find themselves grappling with life, death, and purpose. As a concept, it’s hardly new territory – auteurs of luxurious turmoil Luca Guadagnino and...
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Official Competition – Venice 2021 Review

Official Competition brings a mischievous premise worth the admission fee alone: acclaimed director Lola Cuevas (Penélope Cruz) is hired to make a prestigious adaptation with two of Spain’s finest actors,...
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As in Heaven – TIFF 2021 Review

Danish director Tea Lindeburg’s film, As In Heaven, is a lush and devastating chamber piece, unpicking the dense fabric of motherhood, innocence and superstition. Based on the 1912 Danish novel A Night of...
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Herself – Review

This film was previously reviewed in October 2020 as part of our London Film Festival coverage. Phyllida Lloyd’s Herself is a heartfelt tear-jerker that manages to reckon with the violence of a system...
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The Inner Cage – Venice 2021 Review

The Inner Cage’s rural Sardinian prison is due to be shut down, but an administrative hiccup forces a skeleton staff to remain and guard a dozen prisoners who can’t be moved elsewhere yet. Every frame...
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Atlantide – Venice 2021 Review

Watching Atlantide at the Venice Film Festival, in the heart of the Venice Lagoon, is a sobering experience. Gone are the hordes of tourists and expensive film stars, gone are the gondolas and fridge magnets...
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The Hand of God – Venice 2021 Review

The Hand of God is Paolo Sorrentino’s most personal film yet, re-telling key events of his youth in Naples, including the tragic moment that left him orphaned. His films have always had an air of melancholy,...
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Wildfire – Review

This film was previously reviewed in October 2020 as part of our London Film Festival coverage. Wildfire bursts onto the screen with Kelly (the late Nika McGuigan) returning home a year after being reported...
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Our Ladies – Review

This film was previously reviewed in October 2019 as part of our London Film Festival coverage. It's taken 20 years for Michael Caton-Jones to bring his adaptation of Alan Warner's novel The Sopranos to the...
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Souad – Review

This film was previously reviewed in March 2021 as part of our Berlinale coverage. The subject of a teenage girl glued to her smartphone is nothing new, but in Souad, director Ayten Amin shows her...
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Stop-Zemlia – EIFF 2021 Review

Everything feels significant the first time it happens. That’s what makes high school such a momentous time, even if nothing particularly exciting is happening. Stop-Zemlia follows a class in the lead up to...
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Mad God – EIFF 2021 Review

Stop-motion animation has taken Wallace and Gromit to the moon and given us the eternal love of Jack and Sally. Its limitations are only the imagination, able to create something impossible by any other means....