Gotta Dance: The Top 10 Original Movie Musicals Carmen Paddock November 27, 2018 Analysis, Features, Top 10 This week sees the release of Anna and the Apocalypse, a Christmas zombie musical comedy set in small town Scotland. There is a lot to unpack in that description. Today, let’s celebrate the fact that the...
Family Portraits in the Films of Hirokazu Kore-eda Liz Gorny November 21, 2018 Analysis, Features, Spotlight With Shoplifters, Hirokazu Kore-eda tackles his most complex family unit to date: an impoverished, patchwork household who are biologically unrelated. Only occasionally featuring shoplifting, the film's title...
The Best Robin Hood Movie Turned 80 This Year Rory Steabler November 19, 2018 Features, Love Letter, Nostalgia The story of Robin Hood is a story of remakes. The character has evolved in countless ways since his origins in (maybe) 14th-century folk ballads. Familiar elements of the legend – Maid Marian, the Sheriff...
The Thing – Horror Cinema’s Greatest Remake Katy Moon November 13, 2018 Analysis, Features, Love Letter, Nostalgia, One Off Creating horror remakes is often a thankless job. Taking familiar intellectual properties with built-in audience recognition and repackaging them with a little more sex or violence than the originals were...
Widows’ Best Shot and How it Takes Over the Film Calum Baker November 11, 2018 Analysis, Close-Up, Features, One Off Any conversation about the director Steve McQueen will involve his long shots. It’s impossible to think of Hunger without remembering Michael Fassbender and Liam Cunningham just chatting for 17 minutes, in...
Steve McQueen’s Desperate Men: Masculinity Under Pressure Rhys Handley November 6, 2018 Analysis, Features, Spotlight In Widows, director Steve McQueen is mining relatively fresh territory for himself in the film's female-rooted narrative. Though he has never disregarded women’s experiences in his work, they have not –...
Short of the Month: How the Grinch Stole Christmas Carmen Paddock November 5, 2018 Features, Independent, Short of the Week https://www.dailymotion.com/video/x569sd9 Dr Seuss’ beloved Christmas tale may not be as essential to UK holiday programming as The Snowman, but its two versions this millennium – the second, starring...
Ghoul Britannia: The Best British Horror Movies Katy Moon October 30, 2018 Analysis, Features, Top 10 It has never been a better time to be a fan of scary movies. With Get Out, A Quiet Place, The Conjuring cinematic universe and the latest Halloween setting the box office alight, it is clear that we're hungry...
The Final Girl: How Crimson Peak Became a Victorian Slasher Movie David Brake October 25, 2018 Analysis, Features, One Off Buffy: Everyone gets horribly killed except the blonde girl in the nightie, who finally kills the monster with a machete. But it's not really dead. Jennifer: Oh, my God, is that true? Buffy: Probably. What...
22 July, Bohemian Rhapsody and the Responsibility of Real-Life Films Alice Rooney October 24, 2018 Analysis, Features, One Off There is a long-running debate within film theory and criticism about the idea of authenticity. Art as a form of expression has social and political consequences, whether these are intentional or not;...
The Emotional Cinematography of A Single Man Josefine Algieri October 23, 2018 Analysis, Close-Up, Features Tom Ford’s directorial debut A Single Man (2009) is based on Christopher Isherwood’s 1964 novella of the same name, but has its own unique style. Drawing both from personal experience and his professional...
Halloween: The Perfect Slasher Turns 40 Katy Moon October 17, 2018 Features, Love Letter, Nostalgia Like the great Michael Myers himself, you can never really kill a horror franchise. This month, 40 years after the original slashed its way onto movie screens and into our hearts, Halloween returns. Pointedly...
The Violent Female Empowerment of Kill Bill: Volume 1 Izzy MacLaren October 12, 2018 Analysis, Features, One Off Before Kill Bill: Volume 1’s release, audiences were already acquainted with Quentin Tarantino’s interests in extreme violence and casual drug use. But once it hit cinemas, Kill Bill proved to be a...
Chris Hemsworth: Not Just a Pretty Face Carmen Paddock October 12, 2018 Analysis, Features, Spotlight Drew Goddard’s Bad Times at the El Royale – out this week – looks like a hell of a ride, especially with the stellar ensemble cast. Chris Hemsworth's role might be one of the smaller ones, but the...
What’s the Meta? How The Cabin in the Woods Subverted Horror James Andrews October 11, 2018 Features, Love Letter, Nostalgia Screenwriter extraordinaire Drew Goddard (Cloverfield, World War Z, The Martian) is back with his second feature as a director, Bad Times at the El Royale. His latest finds a group of strangers unravelling a...