Into Heaven’s Mouth: Remembering Alfonso Cuarón’s Y Tu Mamá También Patrick Nabarro December 12, 2018 Analysis, Close-Up, Features, One Off If we include the about-to-be-released Roma, Alfonso Cuarón has only directed eight feature films across a near 30-year career. The reason for this relative slimness of output is likely to have many factors...
Who’s the Best Spider-Man? Carmen Paddock December 11, 2018 Analysis, Debate, Features With Spider Man: Into the Spider-Verse out tomorrow, audiences will be treated to a new version of a beloved, oft-portrayed superhero. Or more accurately, new versions – Miles Morales might be at the heart...
Why You Should Read Mortal Engines Before Seeing the Film Joni Blyth December 6, 2018 Analysis, By The Book, Features Let’s be real, there’s like a 50/50 chance that Mortal Engines is going to be any good, let alone do right by its source material. Fans of the book will agree that Peter Jackson, director of Lord of the...
The ORWAV Playlist – 2018’s Music Moments Bertie Archer December 4, 2018 Features, One Off As the end of the year draws near and the nights draw in, what better time to catch up on the films you missed in 2018 or revisit the best of the vintage. A great music cue, where the soundtrack, score, or...
Nuri Bilge Ceylan and the Fallacy of Slow Cinema Patrick Nabarro November 28, 2018 Analysis, Features, Spotlight “Are we losing interest in everyday life?” says one young librarian to another in Kogonada’s superb Columbus – one of the finest films to hit UK cinemas this year. The comment comes at the end of an...
Gotta Dance: The Top 10 Original Movie Musicals Carmen Paddock November 27, 2018 Analysis, Features, Top 10 This week sees the release of Anna and the Apocalypse, a Christmas zombie musical comedy set in small town Scotland. There is a lot to unpack in that description. Today, let’s celebrate the fact that the...
Family Portraits in the Films of Hirokazu Kore-eda Liz Gorny November 21, 2018 Analysis, Features, Spotlight With Shoplifters, Hirokazu Kore-eda tackles his most complex family unit to date: an impoverished, patchwork household who are biologically unrelated. Only occasionally featuring shoplifting, the film's title...
The Thing – Horror Cinema’s Greatest Remake Katy Moon November 13, 2018 Analysis, Features, Love Letter, Nostalgia, One Off Creating horror remakes is often a thankless job. Taking familiar intellectual properties with built-in audience recognition and repackaging them with a little more sex or violence than the originals were...
Widows’ Best Shot and How it Takes Over the Film Calum Baker November 11, 2018 Analysis, Close-Up, Features, One Off Any conversation about the director Steve McQueen will involve his long shots. It’s impossible to think of Hunger without remembering Michael Fassbender and Liam Cunningham just chatting for 17 minutes, in...
Steve McQueen’s Desperate Men: Masculinity Under Pressure Rhys Handley November 6, 2018 Analysis, Features, Spotlight In Widows, director Steve McQueen is mining relatively fresh territory for himself in the film's female-rooted narrative. Though he has never disregarded women’s experiences in his work, they have not –...
Ghoul Britannia: The Best British Horror Movies Katy Moon October 30, 2018 Analysis, Features, Top 10 It has never been a better time to be a fan of scary movies. With Get Out, A Quiet Place, The Conjuring cinematic universe and the latest Halloween setting the box office alight, it is clear that we're hungry...
The Final Girl: How Crimson Peak Became a Victorian Slasher Movie David Brake October 25, 2018 Analysis, Features, One Off Buffy: Everyone gets horribly killed except the blonde girl in the nightie, who finally kills the monster with a machete. But it's not really dead. Jennifer: Oh, my God, is that true? Buffy: Probably. What...
22 July, Bohemian Rhapsody and the Responsibility of Real-Life Films Alice Rooney October 24, 2018 Analysis, Features, One Off There is a long-running debate within film theory and criticism about the idea of authenticity. Art as a form of expression has social and political consequences, whether these are intentional or not;...
The Emotional Cinematography of A Single Man Josefine Algieri October 23, 2018 Analysis, Close-Up, Features Tom Ford’s directorial debut A Single Man (2009) is based on Christopher Isherwood’s 1964 novella of the same name, but has its own unique style. Drawing both from personal experience and his professional...
The Violent Female Empowerment of Kill Bill: Volume 1 Izzy MacLaren October 12, 2018 Analysis, Features, One Off Before Kill Bill: Volume 1’s release, audiences were already acquainted with Quentin Tarantino’s interests in extreme violence and casual drug use. But once it hit cinemas, Kill Bill proved to be a...