Shoplifters – Cannes 2018 Review Tom Bond May 15, 2018 Reviews Hirokazu Kore-eda is on familiar ground with Shoplifters, the story of an unconventional family unit on the fringes of society who beg, steal and borrow to get by. It’s the most fun Kore-eda has been in...
BlacKkKlansman – Cannes 2018 Review Tom Bond May 15, 2018 Reviews In 2012, when Obama was president and racism in America seemed to be fading, Django Unchained featured a notorious scene with the Ku Klux Klan. Squabbling about eyeholes and spare bags, the white supremacist...
Happy as Lazzaro – Cannes 2018 Review Tom Bond May 14, 2018 Reviews Alice Rohrwacher’s gentle domestic comedy, Happy as Lazzaro, is a hard film to define. It’s full of grim social realism, light conversational comedy, and surreal jumps in time that warp reality to make...
Fahrenheit 451 – Cannes 2018 Review Tom Bond May 14, 2018 Reviews Ray Bradbury’s iconoclastic 1953 novel has not been this relevant for a long time. Fahrenheit 451 was written as a defence of books and intellectualism against the growth of TV and other mindless...
Girls of the Sun – Cannes 2018 Review Tom Bond May 14, 2018 Reviews The war on terror has never really ended since the touch paper was lit on 9/11. Troops landed, and left, enemies were vanquished, and changed, domestic threats grew, and faded. After all this time, it’s easy...
Three Faces – Review Tom Bond May 13, 2018 Reviews This review was published as part of our Cannes festival coverage on 13/05/2018. If you want to know what a film is, ask Jafar Panahi. Under the thumb of a repressive Iranian regime that censors its cinema,...
Mandy – Cannes 2018 Review Tom Bond May 13, 2018 Reviews When Nic Cage’s performance is the most normal thing about a film, you know you’re dealing with something truly extraordinary. The first thing you notice about Mandy is its look. It’s like...
Girl – Cannes 2018 Review Tom Bond May 12, 2018 Reviews “Enjoy puberty while it lasts.” This well-meaning advice from the titular girl’s father (Arieh Worthalter) is a cruel joke to most teenagers, let alone trans teens. Lara is a 16-year-old trans girl,...
Tully – Review Tom Bond April 29, 2018 Reviews How many positive depictions of motherhood in cinema can you think of? Whether it’s with body horror or performance anxiety, filmmakers over the years have made it very clear that being a mother is no bed of...
Annihilation and the Terror of the Uncanny Tom Bond April 18, 2018 Analysis, Close-Up, Features Even if you saw Annihilation when it first hit Netflix a month ago, you probably haven’t been able to forget its most powerful scenes. Ostensibly a sci-fi mystery about a meteorite and the strange shimmering...
BPM (Beats Per Minute) – Review Tom Bond April 1, 2018 Reviews This film was previously reviewed on 21/05/17 as part of Cannes Film Festival. Acclaimed writer/director Robin Campillo returns with BPM (Beats Per Minute), an incendiary and challenging film about the Act...
Ready Player One – Review Tom Bond March 20, 2018 Reviews Steven Spielberg: we’re not angry, we’re just disappointed. And also quite angry, to be honest. The man himself could be blindfolded and still direct one of the best films of any given year, but in...
ORWAV Oscars 2018 – The Results Tom Bond March 4, 2018 Analysis, Features, One Off For once our ORWAV Oscar nominations turned up a similar list to the Academy, suggesting that this time, maybe, they’ve recognised the right performances and films. With just a handful of underdogs creeping...
ORWAV Oscars 2018 – The Nominations Tom Bond February 28, 2018 Analysis, Features, One Off It’s been a glorious year for film fans. In truth, every year is if you watch the right stuff. The problem is that often these cinematic gems aren’t the same ones held up by the Academy as the best in the...
Mute – Review Tom Bond February 24, 2018 Reviews We honestly couldn’t tell you what happens in Mute. And that’s not a spoiler warning. Alexander Skarsgård is a mute bartender searching for his missing girlfriend, Paul Rudd is a black-market surgeon and...