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The Cloverfield Paradox – Review

When a film is released with next to no warning or hype, it means one of two things: a car crash is being cleaned up before too many people see it, or the finished film is so good it will grab attention...
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Phantom Thread – Review

Dresses are designed to bring even the dullest body alive with colour, shape and style; to make the ordinary beautiful. And they are also designed to control: to tighten the breath, to project personality and...
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Darkest Hour – Review

There are countless ways to approach a life as iconic as Winston Churchill’s, and Darkest Hour makes the wise choice of zeroing in on what truly set the man apart from his contemporaries. When predecessor...
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The Post – Review

Sometimes you take Steven Spielberg for granted. Then you watch one of his films. Nearly 50 years into his professional directorial career, Spielberg has reminded the world that no one else directs this...
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Jumanji: Welcome To The Jungle – Review

Beyond the usual blarney about desecrating the corpse of a beloved film, there’s one golden rule for reboots: you need to bring something new to the table. Jumanji: Welcome to the Jungle – where there are...
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Happy End – Review

This was previously reviewed on 22/05/17 as part of Cannes Film Festival. Austere, 75-year-old auteur Michael Haneke might not seem the most obvious choice to comment on the current landscape of live...
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Good Time – Review

Not a jump down the rabbit hole as much as a squeeze through the other end of the telescope, Good Time is when the bass drops at 3am and you can’t remember your own name. Josh and Benny Safdie use every...