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Wonder Woman – Review

It’s hugely satisfying that Wonder Woman marks the moment where DC got their act together enough to make an unequivocally good film. A leading female superhero has been a long time coming, and Gal Gadot and...
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24 Frames – Cannes 2017 Review

The late Abbas Kiarostami was a true visionary, responsible for some of the most powerful and thought-provoking cinema of the last four decades. He continues to pursue new ways of expressing himself in 24...
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The Red Turtle – Review

Expectations are high whenever you see a Studio Ghibli ident at the start of an animation. They’re arguably even higher now the studio has all but shut up shop. The Red Turtle isn’t a homegrown Ghibli...
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Dopo La Guerra – Cannes 2017 Review

Dopo La Guerra tells the half-true story of a group of Italian far-left political terrorists, whose amnesty to live in France was rescinded in 2002. Annarita Zambrano’s tense film combines thriller and...
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Jeune Femme – Cannes 2017 Review

Roaring down the trail blazed by the likes of Lena Dunham’s Girls, Phoebe Waller-Bridge’s Fleabag and Gillian Robespierre’s Obvious Child, Jeune Femme is the most memorable and entertaining film of the...
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Out – Cannes 2017 Review

Gyorgy Kristóf’s Out proves that unemployment and fear of foreign workers aren’t limited to the more affluent nations of Europe in this sweet story about a factory worker struggling to get by. Ágoston...
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Radiance – Cannes 2017 Review

If there’s one thing a film festival always proves, it’s that there are countless ways to see the world: fast, slow; violent, peaceful; restrained, exaggerated; joyous and heartbreaking. Naomi Kawase’s...
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The Day After – Cannes 2017 Review

Director Hong delivers his second stunner of the festival with The Day After, a hilarious and profound comedy of errors set in a Korean publishing firm whose unfaithful boss finds his affair, his work life and...
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Happy End – Cannes 2017 Review

Austere, 75-year-old auteur Michael Haneke might not seem the most obvious choice to comment on the current landscape of live streaming and democratic video, but he proves himself a master of all forms of...
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Claire’s Camera – Cannes 2017 Review

There aren’t many films that make you question the meaning of cinema. Claire’s Camera, written and directed by Hong Sang-soo, is one of those films. It forms a fascinating counterpoint to the recent...
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Fortunata – Cannes 2017 Review

What separates the successful and the failures in life? The rich and the poor? Is it a question of hard work, talent, or just luck? Fortunata, the latest film from experienced actor Sergio Castellito, suggests...
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Le Venerable W. – Cannes 2017 Review

Extreme Buddhism might sound like the brainstorm of a BBC Three producer, but in Barbet Schroeder’s ferocious documentary it’s about as far from a laughing matter as you could imagine. Despite their serene...