Saturday Fiction – Venice 2019 Review Tom Bond September 8, 2019 Reviews Spy thrillers are one genre where it’s very easy to have too much of a good thing. They’re powered by secrets and twists, but Saturday Fiction is burdened with too much of the former at the start, and too...
The King – Venice 2019 Review Tom Bond September 4, 2019 Reviews Defeat the French at Agincourt? In that body? From his opening scenes as a spoilt emo princeling, whoring his way around Eastcheap, it’s hard to buy the French-American Timothée Chalamet as the legendary...
Giants Being Lonely – Venice 2019 Review Tom Bond September 3, 2019 Reviews It’s always promising when a film begins and you can’t immediately tell if it’s meant to be documentary or fiction. The ambiguity suggests a filmmaker ready to push their narrative in unusual directions...
Effetto Domino – Venice 2019 Review Tom Bond September 3, 2019 Reviews Send a domino tumbling to the table and you know what will happen next. It’s chaotic, inevitable, and the perfect metaphor for how the financial crash played out across continents. Effetto Domino (Domino...
Pain and Glory – Review Tom Bond August 19, 2019 Reviews It’s easy to throw a film like Pain and Glory into all sorts of boxes – boxes marked ‘self-portrait’, ‘self-indulgent’ and ‘love letter to cinema’ – but that would be to cheapen a beguiling...
Once Upon a Time in Hollywood – Review Tom Bond August 14, 2019 Reviews This review was originally published as part of our Cannes Festival coverage on 23/05/2019. It’s impossible to view Once Upon a Time in Hollywood as anything other than a filmmaker in the twilight of his...
Good Boys – Review Tom Bond August 14, 2019 Reviews Based on its trailer, you might expect Good Boys to be an embarrassment of sex jokes pushed upon kids too inexperienced to make them funny. While there is the occasional misfire, Lee Eisenberg and Gene...
Top 10 Movie Moments of 2019… So Far Tom Bond July 5, 2019 Analysis, Features, Top 10 Every summer we like to glance back at the first half of the year and ask that all-important question: which specific moments in film did you love, regardless of the quality of the film itself? Because it's...
Spider-Man: Far From Home – Review Tom Bond June 30, 2019 Reviews Spider-Man: Far From Home is the perfect film to follow the triumph and heartbreak of Avengers: Endgame, and deliver a fitting epilogue to Marvel’s Phase 3. It’s a teen film in every meaning of the word,...
Support the Girls – Review Tom Bond June 27, 2019 Reviews Mumblecore master Andrew Bujalski has always been preoccupied with the world of work and how it shapes people’s lives. His latest film, Support the Girls, puts an explicitly feminist slant on that topic,...
Feminism vs Capitalism in Support the Girls Tom Bond June 27, 2019 Analysis, Close-Up, Features Andrew Bujalski’s Support the Girls is undoubtedly a feminist film, despite being set in a Hooters-esque sports bar where the staff flirt for tips in low-cut tops. Its greatness lies in how it pits its cast...
Yesterday – Review Tom Bond June 27, 2019 Reviews Imagine if you woke up tomorrow and the world had forgotten The Beatles. If you were an aspiring musician at the end of their tether you couldn’t wish for a better gift. This is the genius concept of...
Best Films Never Made #43: The Beatles and Joe Orton’s Up Against It Tom Bond June 24, 2019 Behind The Curtain, Best Films Never Made, Features In 1967, The Beatles were the most famous band in the world. Maybe they were even the most famous people in the world. Just a year earlier John Lennon had claimed they were “bigger than Jesus”, and it was...
Nina Wu – Cannes 2019 Review Tom Bond May 27, 2019 Reviews Nina Wu comes at a perfect moment, hot on the heels of the #MeToo movement which finally challenged longstanding abusive practices in the film industry. Its tale of power, control, and the male gaze is a...
Matthias & Maxime – Cannes 2019 Review Tom Bond May 27, 2019 Reviews Xavier Dolan's had a tough few years. The Canadian wunderkind's last two efforts It's Only the End of the World and The Death and Life of John F. Donovan have bombed hard, but in Matthias & Maxime he...