Facebook Twitter Pinterest WhatsApp Email There’s something rather uncinematic about a phone call. They can be used in interesting and dynamic ways, but when much of a film consists of the lead character answering (and sometimes ignoring) her phone, it places much burden on the dialogue – which here is unfortunately not as biting or engaging as is required given Inversion‘s politically allegorical narrative. Inversion gets its message across quietly and in a continuous day-to-day sense, through the struggles of its central character Niloofar (Dowlatshahi) – which make clear that as far as women’s rights have come in Iran, they still have some way to go. Plainly directed and framed, and dramatically rather unengaging, an admirable message about human rights does not a great film make. RATING: 2/5 INFORMATION CAST: Sahar Dowlatshahi, Ali Mosaffa, AliReza Aghakhani, Setareh Pesyani, Roya Javidnia, Shirin Yazdanbakhsh DIRECTOR: Behnam Behzadi WRITER: Behnam Behzadi SYNOPSIS: When Niloofar’s (Dowlatshahi) mother falls ill from the deadly Tehran smog, her children have to decide who must leave their life in the city to take care of her in the country. TRAILER FORTHCOMING Inversion was screened in Un Certain Regard at the 2016 Cannes Film Festival. Inversion (Varoonegi) – Cannes 2016 Review was last modified: May 19th, 2016 by Nick Evan-Cook Facebook Twitter Pinterest WhatsApp Email