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The Pale Blue Eye – Review

Based on Louis Bayard’s novel of the same name, writer-director Scott Cooper’s The Pale Blue Eye, set in 1830 West Point, New York, follows veteran detective Augustus Landor (Bale) as he investigates a...
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The Wonder – Review

"We are nothing without stories, so we invite you to believe in this one.” These are the words that introduce The Wonder. Adapted from the novel by Emma Donoghue, the film begins not in the Irish Midlands in...
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First Cow – Review

This film was previously reviewed in February 2020 as part of our Berlinale coverage. Some films need no special tricks or thrills to captivate, and Kelly Reichardt’s latest is a near faultless example....
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Journey’s End – Review

This film was previously reviewed on 07/10/17 as part of London Film Festival. In adapting a play to the screen, there’s a tough balance to strike. You have to retain the essence of the original...
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Happy End – Review

This was previously reviewed on 22/05/17 as part of Cannes Film Festival. Austere, 75-year-old auteur Michael Haneke might not seem the most obvious choice to comment on the current landscape of live...
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Journey’s End – LFF 2017 Review

In adapting a play to the screen, there’s a tough balance to strike. You have to retain the essence of the original production without the limitations of that medium carrying over into the film. Earlier this...
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Atomic Blonde – Review

Charlize Theron’s latest action vehicle, Atomic Blonde, oversteers a little in its attempt to escape the limiting description of being “John Wick, but starring Charlize Theron”. Former stuntman and...
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Kaleidoscope – EIFF 2017 Review

In this council estate-set psychological thriller, Toby Jones must confront his Oedipal complex after a date that goes badly wrong. During the title sequence, Carl looks through the kaleidoscope he was...
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Happy End – Cannes 2017 Review

Austere, 75-year-old auteur Michael Haneke might not seem the most obvious choice to comment on the current landscape of live streaming and democratic video, but he proves himself a master of all forms of...
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Morgan – Review

Having manufactured “Morgan” in a lab and witnessed her sudden tantrums, the scientists here are surprisingly un-self-aware. As Michelle Yeoh seriously intones: “For every decision we make, there are...
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Tale Of Tales – Review

Tale of Tales is either very much your film or it isn’t in the slightest. Almost certainly destined for cult adoration, Matteo Garrone’s latest feature is a rare oddity: imaginative, arresting, baffling...
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The Man Who Knew Infinity – Review

Like its screenplay, The Man Who Knew Infinity’s score is essentially a "best-of-this-sort-of-thing" – twee and pseudo-inspirational, over-egged and half-baked. Most every line of dialogue is a trailer...
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Dad’s Army – Review

At last - Britain has produced a true geri-action film. Albeit more geri and less action, Dad’s Army takes on Jerry with a troupe of the ablest British national treasures available. The new - and...
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Serena – Review

The extreme saccharine romanticism of Pemberton’s (Cooper) first meeting with Serena (Lawrence) may cause some to wish the film had remained in the can another two years, yet brutal dramatisation of the...