ORWAV’s Top 20 Films of 2019: #1 – The Favourite Joni Blyth December 31, 2019 Analysis, Features, Top 10 Surprising combinations are the spice of life. Country music and hip hop, footballers’ wives and hard-boiled sleuthing – 2019 has been a great year for the unexpected mash-up, and none have proven quite as...
The Favourite – Review Tom Bond January 1, 2019 Reviews This review was originally published as part of our Venice Film Festival coverage on 31/08/2018. Yorgos Lanthimos and his tragicomic experiments have been a favourite of arthouse cinema for years now, from...
Disobedience – Review Rachel Brook December 2, 2018 Reviews With his second release of 2018, Sebastián Lelio attempts to trade one fantastic woman for two. But don’t be fooled by the promotional images of Rachel-on-Rachel (Weisz and McAdams). Disobedience isn’t a...
The Favourite – Venice 2018 Review Tom Bond August 31, 2018 Reviews Yorgos Lanthimos and his tragicomic experiments have been a favourite of arthouse cinema for years now, from the bloody Dogtooth and The Killing of a Sacred Deer to the oddly tender The Lobster. If his...
The Mercy – Review Louise Burrell February 9, 2018 Reviews Director James Marsh follows up 2014’s The Theory of Everything with The Mercy, another distinctly British drama. Starring Rachel Weisz and Colin Firth, this is, at first glance, an extraordinarily twee...
The Brothers Bloom – The Art of Good Exposition Rory Steabler December 12, 2017 Analysis, Close-Up, Features Spoiler Warning: The Brothers Bloom is best watched with little foreknowledge. This article explicitly discusses the ending. The Last Jedi should provide Rian Johnson with an interesting balancing act. The...
My Cousin Rachel – Review Joni Blyth June 10, 2017 Reviews Novel adaptations are tricky, particularly when it comes to unreliable narrators – thankfully My Cousin Rachel avoids losing the essence of Daphne Du Maurier’s novel, playing with perspective behind and in...
Where Are They Now?: The Mummy (1999) Phil W. Bayles June 7, 2017 Features, Nostalgia, Where Are They Now? These days there is seemingly no movie that can't be shoehorned into a cinematic universe. Following the mammoth success of Marvel Studios, Universal has decided to reboot their old monster movie classics into...
Why The House of Mirth is Terence Davies’ Most Underrated Film Patrick Nabarro April 5, 2017 Features A Quiet Passion is not only the title of the Emily Dickinson biopic that comes out on general release this weekend. It could also be a fitting epigraph for the ethos of its diligent and artful director,...
COMPETITION – Win The Light Between Oceans on DVD! David Brake March 6, 2017 Competitions Thanks to the sensational team at Organic Publicity and Entertainment One, we've got TWO copies of The Light Between Oceans to give away on DVD! We just can't help ourselves. It's only the best of the best...
Denial – Review Rachel Brook January 29, 2017 Reviews Denial is bold in crafting a fictionalised Deborah Lipstadt who isn’t always easy to like; Weisz is fierce and prickly and at times almost unrecognisable. It’s a far cry from the tedious tear-jerking of...
The Light Between Oceans – Venice 2016 Review Stephanie Watts November 5, 2016 Reviews Much like 2012's The Place Beyond The Pines, Derek Cianfrance’s new offering, The Light Between Oceans, is a mixture of beautiful sunset landscapes, slow fades and a well-timed soundtrack to accompany...
The Citizen Kane of Awful: The Bourne Legacy Bertie Archer July 28, 2016 Features, Nostalgia, The Citizen Kane of Awful Cast: Jeremy Renner, Rachel Weisz, Edward Norton Director: Tony Gilroy Writers: Tony Gilroy, Dan Gilroy Estimated Budget: $125 million US Gross: $113 million “There was never just one”, the...
Youth – Review Nick Evan-Cook January 31, 2016 Reviews Michael Caine's best work in years and a strong supporting cast isn't quite enough to lift the evocative, elegant yet slight Youth beyond the (admittedly absorbing) curio it is. If nothing else, the...
The Lobster – Review Ellena Zellhuber-McMillan August 13, 2015 Reviews The Lobster delicately balances humour and brutality to tell a brilliantly absurd, yet altogether touching story. The largely matter-of-fact cinematography is beautifully offset by scenes in dramatic slow...