Ema – LFF 2019 Review
No two Pablo Larraín films are quite the same but, even so, Ema marks a departure. An opaque story told mainly through dance and music, it has his stylistic flair but, sadly, lacks his usual ability to find...
Neruda – Review
Off the back of his Jackie Kennedy bio comes Neruda, Pablo Larraín’s portrait of the womanizing poet-politician unusually told from the perspective of the detective inspector attempting to track him down....
Pablo Larraín: Bringing Edge to the Period Biopic
Chile is not all lovely wine, productive copper mines, and functional yet attractive attacking football - in recent years its diverse, powerful and cultured arthouse cinema industry has enjoyed a strong and...
El Club – Review
El Club traverses its traumatic themes with lyricism, dark humour and jolting explicitness shaped by a cleverly written and constructed screenplay. It maintains a remarkable atmosphere, instilled by evocative...
The Club – An Interview With Chilean Maestro Pablo Larraín
"God said, 'Let there be light,' and there was light. God saw that the light was good, and he separated the light from the darkness." So begins Chilean auteur Pablo Larraín's latest opus El Club, which...