ORWAV’s Top 20 Films of 2021: #10 – Sound of Metal Rachel Brook December 30, 2021 Analysis, Features, Top 10 The best films of 2021 marshalled all of the techniques of cinema to tell their stories in ways that could only be achieved within the medium of film. The Father mastered editing and production design, using...
Sound of Metal – Review Phil W. Bayles May 17, 2021 Reviews This film was previously reviewed in April 2021 for its digital release. Early on in Sound of Metal, a group of deaf addicts sign a prayer that’s common in 12-step programmes: “God grant us the serenity...
Thoroughbreds – Review Jack Blackwell March 28, 2018 Reviews Writing-directing debuts don’t come much more slick or polished than Cory Finley’s Thoroughbreds. A taut blast of a thriller, it announces a serious new filmmaking talent as well as further confirming the...
Ready Player One – Review Tom Bond March 20, 2018 Reviews Steven Spielberg: we’re not angry, we’re just disappointed. And also quite angry, to be honest. The man himself could be blindfolded and still direct one of the best films of any given year, but in...
The Limehouse Golem – Review Louise Burrell September 3, 2017 Reviews The Victorian era has provided fertile ground for cinema’s lust for murder, mystery, and debauchery, particularly around the unsolved Jack the Ripper murders. What The Limehouse Golem offers is a precursor...
Me and Earl and the Dying Girl – Review Rachel Brook September 4, 2015 Reviews Me and Earl and the Dying Girl is completely undeserving of the cynicism often levelled at films with similar subject matter. It’s entirely sure of its quirky celluloid skin; defiantly utilising unsettlingly...
The Signal – Review Tom Bond March 28, 2015 Reviews What starts as a road trip soon turns into something much less laid-back and much more mystifying in William Eubank’s enigmatic sci-fi. Rising star Brenton Thwaites offers a solid performance, as do...