Songs My Brothers Taught Me – Review Carmen Paddock April 10, 2021 Reviews Off the back of awards darling Nomadland, Chloé Zhao’s feature debut finally reaches UK screens six years after its initial release. Songs My Brothers Taught Me follows JaShaun Winters (JaShaun St. John) as...
A Colony – Review Josefine Algieri March 16, 2021 Reviews This film was previously reviewed in February 2019 as part of our Berlinale coverage. School can be a hostile environment – particularly for those who don’t quite fit in. A Colony centres around Mylia...
Uppercase Print – Review Carmen Paddock February 17, 2021 Reviews This film was previously reviewed in February 2020 as part of our Berlinale Film Festival coverage. Hybrid documentaries often use their newly-filmed footage to advance narrative drama in the absence of its...
The Day After I’m Gone – Review Scott Wilson June 18, 2020 Reviews It can take a fright for someone to realise their behaviour has to change. For Yoram, that fright is his 17-year-old daughter Roni attempting suicide. After the death of Roni’s mother over a year ago, the...
Take Me Somewhere Nice – Review Carmen Paddock May 23, 2020 Reviews The youth road trip movie is a storied genre, and Take Me Somewhere Nice carves out its spot by contrasting a modern setting with a retro production design. The film follows Alma (Sara Luna Zoric), a Bosnian...
Céline Sciamma, Water Lilies, and the Complications of Youthful Desire Nick Davie May 11, 2020 Analysis, Close-Up, Features Céline Sciamma is having a moment. Following the 2019 festival debut and this year's cinematic release ofPortrait of a Lady on Fire, she is currently the subject of Mubi UK's 'Focus on' retrospective. This...
The Grand Bizarre – Review Scott Wilson April 9, 2020 Reviews To fabric what the 2015 documentary Atomic was to nuclear history, Jodie Mack’s The Grand Bizarre makes the tiniest thread feel significant. Great patterns pulse on screen – shot on 16mm with a Bolex –...
Junun – Review Calum Baker October 11, 2015 Reviews First off: this is not a documentary about, or ode to, Jonny Greenwood – he’s barely in it. Instead, Anderson constructs a largely wordless impressionistic illustration through music, played live...