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St. Vincent – Review

Equal parts heart-warming comedy and heart-breaking tragedy, St. Vincent is a retelling of a well-worn story which leaves the broad-strokes of the plot predictable from the start. Some salvation comes from...
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Horrible Bosses 2 – Review

For better or worse, if you’ve watched a mainstream US comedy in the last five years, it’s going to be riddled with improv. Horrible Bosses 2 is no different and Bateman, Day and Sudeikis offer nothing...
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Ambition – Review

Ambition affords an unusual luxury to ORWAV; only 6 minutes, 39 seconds to discuss in our economical 100 words… It is an impressive and dizzying 399 seconds in which a space mission meets philosophy,...
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Nightcrawler – Review

Jake Gyllenhaal unfurls creepy wings as Lou Bloom, a determined vulture ready to feather his own nest in the shade of the American Dream. Lou’s maniac eyes share the same greedy glint as his hungry camera....
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Interstellar – Review

Interstellar is magnificently ambitious. It is just a shame that narrative appears to be the stubbiest finger upon the grasping palm of its lofty aspirations. Nolan’s space odyssey detonates some of the...
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The Book of Life – Review

The Book of Life makes an intriguing attempt at exploring gender stereotypes, but often ends up reinforcing them. Maria (Saldana) ticks a few painfully clichéd feminist heroine boxes, but mostly she is never...
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Son of a Gun – LFF Review

There are few logical explanations for Son of a Gun. The most probable is that writer/director Avery is getting paid by the cliché, each one more laughable and obvious than the last. It’s a shame because...