article placeholder

Kodachrome – Review

Netflix’s latest original movie comes with a disclaimer warning that it contains product placement. With the title being the brand name of a type of Kodak film, and a proud declaration that it was shot on...
article placeholder

Ingrid Goes West – Review

This was first published on 22/09/17 as part of London Film Festival. Taking some of those slightly stalkerish tendencies that we all give into every now and then (yeah, I know every outfit you wore on your...
article placeholder

Ingrid Goes West – LFF 2017 Review

Taking some of those slightly stalkerish tendencies that we all give into every now and then (yeah, I know every outfit you wore on your holiday to Mallorca last month, Becky) to the extreme, Ingrid (Aubrey...
article placeholder

Wind River – Review

Taylor Sheridan has made his name as the writer of gritty, sincere action films like Sicario and Hell or High Water, and it’s fair to say he doesn’t change a winning formula with his directorial debut,...
article placeholder

I Saw The Light – Review

I Saw the Light lurks disappointingly in the depths of biopic mediocrity, as a clunky structure (with annoying black and white ‘retrospective interviews’) does no favours for a frustratingly slow-moving...
article placeholder

In Secret – Review

In Secret feels like a film that has sat in stasis, waiting - to get made, for its cast to stabilise, for its leads to maybe even make it big. In a claustrophobic, stagey Paris primarily existing within a...