Ray & Liz – Review Rhys Handley March 8, 2019 Reviews Ray and Liz are not the stars of their namesake film. Their presences hang spectrally around the edges – never fully-realised, but omnipresent. Saturating his images in the subjective haze of memory,...
Fighting With My Family – Review James Andrews March 1, 2019 Reviews Wrestlers have a long tradition of going from the ring to the big screen, from Hulk Hogan and Roddy Piper to Dave Bautista and John Cena. Then of course there's The Rock, who produces and appears as himself in...
The Boy Who Harnessed the Wind – Berlinale 2019 review Rhys Handley February 12, 2019 Reviews Chiwetel Ejiofor’s acting career features many projects in which he explores African stories and identities across both the continent and the diaspora. Often, he does so under white and western directors,...
If Beale Street Could Talk – Review Rhys Handley February 8, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 21/10/2018. New York in Barry Jenkins’ If Beale Street Could Talk is pulsating, alive and wholly authentic – populated...
Boy Erased – Review Rhys Handley February 7, 2019 Reviews In Deep Impact/Armageddon tradition, Joel Edgerton’s sophomore directing effort is the second film about young people subjected to gay conversion therapy released in a matter of months. As such, Boy Erased...
Beautiful Boy – Review Rhys Handley January 19, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 13/10/2018. Journalist David Sheff and his son Nic exist on opposite ends of a spectrum; at once, they balance out a...
The Upside – Review Rhys Handley January 11, 2019 Reviews Red flags marked the road to release for The Upside, a remake of 2011 French odd-couple runaway hit Intouchables, with its March 2018 release date scrapped amid the seismic scandal of one-time producer Harvey...
Life Itself – Review Rhys Handley January 4, 2019 Reviews This review was originally published as part of our London Film Festival coverage on 15/10/2018. You know the dude in Starbucks, the one with the thick-rimmed glasses, chequered shirt and a macchiato...
Welcome to Marwen – Review James Andrews January 2, 2019 Reviews Steve Carell continues his fine run of dramatic turns in this seemingly whimsical yet serious study of trauma. He portrays Mark Hogancamp, an artist badly beaten in a gang assault who creates his own therapy...
Kristen Stewart’s Steady Path to Grown-Up Success Rhys Handley December 13, 2018 Analysis, Features, Spotlight Kristen Stewart knows better than most that growing up as a young actor means having a spotlight on your every move – personal and professional. It blighted the Harry Potter kids, whose turbulent journey to...
If Beale Street Could Talk – LFF 2018 review Rhys Handley October 21, 2018 Reviews New York in Barry Jenkins’ If Beale Street Could Talk is pulsating, alive and wholly authentic – populated with little fanfare by people of all shades. Following up Moonlight – a watershed achievement...
Dublin Oldschool – LFF 2018 review Rhys Handley October 20, 2018 Reviews In spite of its name, Dublin Oldschool spends very little time actually considering its distinct and characterful setting. Throughout, there’s a general disregard for any storytelling possibilities laid...
Blaze – LFF 2018 review Rhys Handley October 19, 2018 Reviews Shot dead at the age of 39 in a mundane dispute over a friend’s pension slip, Blaze Foley has been folded into country music legend – spoken of in whispers, his influences keenly felt but never explicitly...
The Kindergarten Teacher – LFF 2018 Review Rhys Handley October 18, 2018 Reviews Most of us will one day be made to face our own mediocrity, contend with the fact we’re only ordinary, and find ways to fit into a world where we are merely spectators to more powerful, exceptional...
Life Itself – LFF 2018 review Rhys Handley October 15, 2018 Reviews You know the dude in Starbucks, the one with the thick-rimmed glasses, chequered shirt and a macchiato who’s forever working on his screenplay? Well, Life Itself is that very screenplay, and somehow it’s...