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City of Ghosts – Review

The opening minutes of City of Ghosts show Matthew Heineman on the same showy form that made his Cartel Land so interesting. Key members of Syrian anti-ISIS journalist group Raqqa Is Being Slaughtered Silently...
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Whitney: Can I Be Me – Review

Whitney: Can I Be Me sees Nick Broomfield take on the iconic spectre of Asif Kapadia's Amy, and largely fail. His brief, of course, is to take on the iconic spectre of Whitney Houston, but again, we've seen...
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Le Venerable W. – Cannes 2017 Review

Extreme Buddhism might sound like the brainstorm of a BBC Three producer, but in Barbet Schroeder’s ferocious documentary it’s about as far from a laughing matter as you could imagine. Despite their serene...
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Gleason – Review

In the sport of American football, a defensive back exists as the last line of defence, a role that requires immense physical ability as well as unwavering bravery. Your job is to navigate through obstacles,...
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P.S. Jerusalem – Review

Danae Elon has a remarkably relatable habit of both admitting her own failings and failing to admit them. P.S. Jerusalem, narrated intermittently by its director-cinematographer, is a fascinating, frustrating...
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LoveTrue – Review

The recent preoccupation in documentary film with revealing the processes that occur behind the scenes has led to Kirsten Johnson’s autobiographical docu-memoir Cameraperson, and Robert Greene’s...
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Tower – Review

Tower stands as a proud example of how documenting humanity's worst moments will always show humanity at its best. This moving film sidesteps typical breakdowns of killer Charles Whitman's identity and...
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O.J.: Made in America – Review

Between black and white are over 500 shades of grey. This is the argument of Ezra Edelman’s exhaustive cinematic thesis on O.J. Simpson; a comprehensive documentary that shows that in order to understand...