Tagged David Hare

This review was originally published as part of our London Film Festival coverage on 19/10/18. The White Crow has to walk a tricky line between period drama and dance movie – think Step Up 2: The Soviets....

Denial is bold in crafting a fictionalised Deborah Lipstadt who isn’t always easy to like; Weisz is fierce and prickly and at times almost unrecognisable. It’s a far cry from the tedious tear-jerking of...