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Slaughterhouse Rulez – Review

A British comedy horror with Simon Pegg and Nick Frost in? (And the debut for their production firm Stolen Picture?) The Shaun of the Dead comparisons are inevitable, but Slaughterhouse Rulez is a different...
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Stan & Ollie – LFF 2018 review

Stan Laurel and Oliver Hardy’s brand of amicable slapstick remains in high esteem for its purity – without agenda, the duo distilled comedy down to its simple, singular objective of making people laugh;...
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Dublin Oldschool – LFF 2018 review

In spite of its name, Dublin Oldschool spends very little time actually considering its distinct and characterful setting. Throughout, there’s a general disregard for any storytelling possibilities laid...
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In Fabric – Review

This review was originally published as part of our London Film Festival coverage on 18/10/2018. The red dress of Peter Strickland’s In Fabric could represent anything: the toxic lure of consumerism, the...
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Capernaum – LFF 2018 Review

Capernaum was an ancient city in what is now northern Israel on the sea of Galilee, thought to be the setting for a string of Jesus’ miraculous feats of healing. No such easy fixes come for those who...
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Winter Flies – LFF 2018 Review

As the cold air sets in, the flies that refuse to die off are the most annoying – and the most persistent. Olmo Omerzu’s coming-of-age gem dwells on these flies, and his characters’ mix of irritation and...
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The Happytime Murders – Review

The conceit of The Happytime Murders might have made a half decent Saturday Night Live sketch but a good, even passable, feature film it does not. Most frustrating is the sheer laziness of the script. Todd...
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Ant-Man and The Wasp – Review

It turns out that a movie about people shrinking to minuscule size is a very appropriate choice to follow the gargantuan Avengers: Infinity War. The largest thing about Ant-Man and The Wasp might be the...