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24 Frames – Cannes 2017 Review

The late Abbas Kiarostami was a true visionary, responsible for some of the most powerful and thought-provoking cinema of the last four decades. He continues to pursue new ways of expressing himself in 24...
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Out – Cannes 2017 Review

Gyorgy Kristóf’s Out proves that unemployment and fear of foreign workers aren’t limited to the more affluent nations of Europe in this sweet story about a factory worker struggling to get by. Ágoston...
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Radiance – Cannes 2017 Review

If there’s one thing a film festival always proves, it’s that there are countless ways to see the world: fast, slow; violent, peaceful; restrained, exaggerated; joyous and heartbreaking. Naomi Kawase’s...
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Graduation (Bacalaureat) – Review

Joint winner of Best Director at Cannes 2016, Cristian Mungiu returns with his finest work since his sublime Palme d'Or winner 4 Months, 3 Weeks and 2 Days with Graduation, an intelligent, elegant, morally...
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Personal Shopper – Review

Best described as "divisive" at its Cannes premiere, Olivier Assayas and Kristen Stewart's brave and uncategorisable second collaboration Personal Shopper swings fearlessly for the fences and only narrowly...
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Elle – Review

Raucous, outrageous and more than a little bit preposterous, Paul Verhoeven's provocative “rape comedy” Elle will ruffle feathers for its apparently callous use of rape as a narrative device – but,...
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Loving – Review

Its fascinating subject and a pair of wonderfully nuanced performances - from the glowing and defiant Ruth Negga in particular - can't keep Loving from feeling somewhat safe and unadventurous, helmed though it...
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Paterson – Cannes 2016 Review

Warm, heartfelt, and unpretentious, Jim Jarmusch's latest is an absolute delight. Paterson (Adam Driver, dependably excellent as a gentle bus driver/poet with great depth) and Laura (Golshifteh...