Dragon’s Defense – Cannes 2017 Review Tom Bond May 28, 2017 Reviews Dragon’s Defense is a film about nothing. And not in the sense that Seinfeld is a TV show about "nothing", but is really about everything. There’s no implied rule-breaking or casual genius in this...
24 Frames – Cannes 2017 Review Tom Bond May 28, 2017 Reviews The late Abbas Kiarostami was a true visionary, responsible for some of the most powerful and thought-provoking cinema of the last four decades. He continues to pursue new ways of expressing himself in 24...
Out – Cannes 2017 Review Tom Bond May 23, 2017 Reviews Gyorgy Kristóf’s Out proves that unemployment and fear of foreign workers aren’t limited to the more affluent nations of Europe in this sweet story about a factory worker struggling to get by. Ágoston...
Radiance – Cannes 2017 Review Tom Bond May 23, 2017 Reviews If there’s one thing a film festival always proves, it’s that there are countless ways to see the world: fast, slow; violent, peaceful; restrained, exaggerated; joyous and heartbreaking. Naomi Kawase’s...
Your Week In Film: Nuns, Gunn and The Man From U.N.C.L.E Stephen O'Nion April 21, 2017 News 1. Will Smith might grant our wish and play the Genie Disney really want a piece of that Big Willie style. According to Deadline, the studio is eager for Will Smith to play the Genie in the upcoming...
Graduation (Bacalaureat) – Review Nick Evan-Cook April 2, 2017 Reviews Joint winner of Best Director at Cannes 2016, Cristian Mungiu returns with his finest work since his sublime Palme d'Or winner 4 Months, 3 Weeks and 2 Days with Graduation, an intelligent, elegant, morally...
Personal Shopper – Review Nick Evan-Cook March 16, 2017 Reviews Best described as "divisive" at its Cannes premiere, Olivier Assayas and Kristen Stewart's brave and uncategorisable second collaboration Personal Shopper swings fearlessly for the fences and only narrowly...
Elle – Review Nick Evan-Cook March 10, 2017 Reviews Raucous, outrageous and more than a little bit preposterous, Paul Verhoeven's provocative “rape comedy” Elle will ruffle feathers for its apparently callous use of rape as a narrative device – but,...
It’s Only the End of the World – Review Nick Evan-Cook February 25, 2017 Reviews The prodigiously talented Xavier Dolan makes a rare misstep with this shrieking melodrama, a messy effort which never equals the sum of its enviable parts. It's an extraordinary film in many ways, but...
Loving – Review Nick Evan-Cook February 5, 2017 Reviews Its fascinating subject and a pair of wonderfully nuanced performances - from the glowing and defiant Ruth Negga in particular - can't keep Loving from feeling somewhat safe and unadventurous, helmed though it...
Paterson – Cannes 2016 Review Nick Evan-Cook November 26, 2016 Reviews Warm, heartfelt, and unpretentious, Jim Jarmusch's latest is an absolute delight. Paterson (Adam Driver, dependably excellent as a gentle bus driver/poet with great depth) and Laura (Golshifteh...
Second Chance: Only God Forgives Jack Blackwell July 6, 2016 Features, Nostalgia, Second Chance With the Ryan Gosling-led Drive, Nicholas Winding Refn managed to make not only an arthouse critical darling, but a breakout cult hit that struck a chord with mainstream audiences. Naturally his followup, Only...
Ghost Monkeys And Talking Catfish – A Love Letter To Uncle Boonmee Who Can Recall His Past Lives Nick Evan-Cook June 16, 2016 Features, Love Letter, Nostalgia At first glance, the awarding of the 2010 Palme d'Or - that most prestigious of film prizes - to the Thai dark horse Uncle Boonmee Who Can Recall His Past Lives seemed a left-field choice to say the least....
The Salesman (Forushande) – Cannes 2016 Review Nick Evan-Cook May 21, 2016 Reviews In a Cannes festival full of "inciting incident" investigative slow burners, The Salesman sits near the middle of the pile as it intrigues with its low-key mysteries and strong, relatable performances....
The Neon Demon – Cannes 2016 Review Nick Evan-Cook May 20, 2016 Reviews Refn (and his perfectly-chosen collaborators) once again demonstrates his utmost command of cinema as a visual medium with the savage, beautiful and excessive sensory assault that is The Neon Demon....