Horns – Review Stephen O'Nion November 3, 2014 Reviews 2014 is a damned fine year for Daniel Radcliffe, and Horns a damned fine outing (“witty” emphasis on "damned"). Initially playing as a cross between The Invention of Lying and Bill’s New Frock, as...
Electricity – LFF Review Cameron Ward October 24, 2014 Reviews Bryn Higgins’ aesthetically challenging representation of disability brings with it the constant physical and emotional toll of struggling to maintain a passable level of control through everyday...
A Love Letter To… Being John Malkovich Conor Morgan October 18, 2014 Features, Love Letter, Nostalgia Continuing the recent trend of articles about Spike Jonze on One Room With A View, here's a Love Letter dedicated to Being John Malkovich and why it's a work of genius that should be adored by everyone....
Hungry Hearts – LFF Review Tom Bond October 17, 2014 Reviews Is it possible to love not too little but too well? This is the question posed by Saverio Costanzo’s incisive and inquisitive script that follows the battle of wills as Jude (Driver) and Mina (Rohrwacher)...
Madame Bovary – LFF Review Danielle Davenport October 12, 2014 Reviews Madame Bovary is an eye-catching film which bypasses the novel’s dedication to realism instead revelling in contradictory but no less crucial romanticism. Andrij Parekj’s entrancing cinematography exudes...
The Maze Runner – Interview With Wes Ball Cameron Ward October 7, 2014 Behind The Curtain, Features, Interview Wes Ball recently joined us for a round table interview following the imminent release of his directorial debut, The Maze Runner, adapted from James Dashner's widely celebrated book series. How did...
The Maze Runner – Cast Interview Cameron Ward October 6, 2014 Behind The Curtain, Features, Interview Dylan O'Brien (Teen Wolf), Will Poulter (Son of Rambo), and Thomas Brodie-Sangster (Game of Thrones) recently joined us for a roundtable interview following the imminent release of James Dashner's adapted...
Small Beginnings: Spike Jonze’s Praise You Conor Morgan September 30, 2014 Behind The Curtain, Features, Small Beginnings Small Beginnings is a new feature focusing on the early days of feature film directors, most frequently their music videos and advertisements. Many directors who got their start in these fields still return to...
Think Like a Man Too – Review Stephen O'Nion September 24, 2014 Reviews 1 Comment Ah, the Vegas Bachelor Party! It’s been too long. A whole year in fact. Fortunately little has changed. Except now the women have as much fun as the men - not those darn mother-in-laws though, eh? - and...
The Giver – Review Tori Brazier September 10, 2014 Reviews Based on Lois Lowry’s 1993 novel, The Giver begins promisingly before sinking into the depths of mediocrity. The film is further spoiled by bad timing as it awkwardly follows the recent raft of newer teen...
Life of Crime – Review Stephen O'Nion September 8, 2014 Reviews 1 Comment Life of Crime is fine. Characters are played gamely; costumes are pleasingly authentic; the story... proceeds. Really, this isn’t one for superlative adjectives. Fleetingly snappy - the minimum...
CEL Mates: Sita Sings The Blues Conor Morgan August 31, 2014 CEL Mates, Features, Independent Sita Sings the Blues is a 2008 film written, produced and directed by Nina Paley, who also features in the film. In a rather unorthodox fashion, the entire film is created using the Adobe animation program...
Maybeland: Children of Men Madeline Joint July 13, 2014 Features, Independent, Maybeland In 2027 the youngest human on Earth is killed. None will come after him. They’ve all stopped: there are no more pregnancies, no more births, no more babies, and no answers. In the chaos of the 18 years since...
Mr. Morgan’s Last Love – Review Stephen O'Nion July 11, 2014 Reviews Last Love begins with Michael Caine attempting an American accent and wandering the streets of a rose-tinted Paris, in mourning. Having fallen in with Poésy, herself nursing issues - “I like your beard,...
In Secret – Review Stephen O'Nion May 17, 2014 Reviews 1 Comment In Secret feels like a film that has sat in stasis, waiting - to get made, for its cast to stabilise, for its leads to maybe even make it big. In a claustrophobic, stagey Paris primarily existing within a...