Never Goin’ Back – Sundance London 2018 Review Rachel Brook June 1, 2018 Reviews Never Goin’ Back takes a sitcom-esque premise and actually shapes it into a viable movie. Unlike many similar ventures it does have enough narrative material to work with, but it’s an awkward...
Hereditary – Sundance London 2018 Review Stephanie Watts May 31, 2018 Reviews The confident, lean and mean directorial horror debut from Ari Aster, Hereditary, sees a family turn in on itself in unimaginable ways. After the death of her mother, diorama artist Annie (Toni Collette) must...
Half the Picture – Sundance London 2018 Review Rachel Brook May 30, 2018 Reviews Formally, Half the Picture isn’t a revolutionary piece of documentary filmmaking, but it doesn’t need to be. Amy Adrion responds to an extremely relevant and inflammatory issue with urgency and fierce...
Skate Kitchen – Sundance London 2018 Review Rachel Brook May 30, 2018 Reviews Skate Kitchen is a fantastically evocative low-key tale of a teenage girl’s coming of age within the skate subculture of New York City. Of course, this subject matter recalls Drew Barrymore’s Ellen...
Marjorie Prime – Sundance London 2017 Review Rachel Brook June 3, 2017 Reviews Like Spike Jonze’s Her, Marjorie Prime is set in a future not too different from the world we know. This adaptation of Jordan Harrison’s Pulitzer-nominated play takes place largely within mundane and...
Beatriz at Dinner – Sundance London 2017 Review L D June 1, 2017 Reviews The opening film of this year’s Sundance London film festival is Miguel Arteta’s dark comedy Beatriz at Dinner. Arteta seats Salma Hayek, John Lithgow, Chloë Sevigny, and others uncomfortably around the...
Bitch – Sundance London 2017 Review L D June 1, 2017 Reviews In her fourth feature Marianna Palka (known for Good Dick) absurdly illustrates how, by just being in relation to her adulterous husband, society will inevitably judge the behaviour of the woman scorned as...
Crown Heights – Sundance London 2017 Review Rachel Brook May 31, 2017 Reviews Crown Heights is the kind of film you don’t always enjoy, but are glad to have seen afterwards. Writer-director Matt Ruskin doesn’t quite do justice to the affecting true life story; the screenplay feels...
Chasing Coral – Sundance London 2017 Review L D May 31, 2017 Reviews Following his impactful 2012 documentary Chasing Ice, documentarian and activist Jeff Orlowski now turns to that which lies below the surface of the ocean: reefs of coral that have bleached in colour due to...
Walking Out – Sundance London 2017 Review L D May 31, 2017 Reviews Based on a short story written by David Quammen, Walking Out presents the struggle between a father and his son to reconcile their differences. Combine Casey Affleck’s parenting nightmare in Manchester by...
Your Week In Film: Hiya Hayao, Sayonara Sundance Kid Stephen O'Nion November 18, 2016 News 1. Hayao Miyazaki — not the hero we deserve, but the one we need He pulls himself out and they drag him back in. Yes, Hayao Miyazaki is set to come out of retirement for one last film. Having got out of...
Tallulah – Sundance London Review Rachel Brook June 4, 2016 Reviews It should come as no surprise that Orange is the New Black alum Heder can take an improbable premise and spin it into a genre-defying tale. Thriller elements including a tense final act and overly bombastic...
Morris from America – Sundance London Review Rachel Brook June 4, 2016 Reviews With shades of Submarine, Morris from America literalises the alienation of adolescence by relocating the titular teen and making him a fish out of water. Though Markees Christmas’ charming and likeable...
The Intervention – Sundance London Review Tom Bond June 1, 2016 Reviews A promising premise – a surprise intervention for a failing marriage – is wasted in this patchy relationship comedy from writer, director and star, Clea DuVall. She gets strong individual performances...
Other People – Sundance London Review Rachel Brook June 1, 2016 Reviews The sole aspect of Other People that fails to convince is a group display of grief. However, through repetition this moment intelligently bookends the film and becomes symptomatic of the movie’s disparate...