Happy End – Review Tom Bond December 1, 2017 Reviews This was previously reviewed on 22/05/17 as part of Cannes Film Festival. Austere, 75-year-old auteur Michael Haneke might not seem the most obvious choice to comment on the current landscape of live...
Sex and Family in The Piano Teacher Cathy Brennan November 29, 2017 Analysis, Features, One Off Please note: this article contains descriptions of sexual assault. The release of Happy End this week marks the fourth collaboration between European arthouse darlings Isabelle Huppert and Michael Haneke....
From Heart Throb to Indie Darling: The Evolution of Robert Pattinson Naomi Soanes November 14, 2017 Analysis, Features, Spotlight It’s been a long time now since Robert Pattinson was able to enjoy complete anonymity. From the moment Pattinson landed the much-coveted role of Edward Cullen in the Twilight series, he has been unable to...
The Killing Of A Sacred Deer – Review Tom Bond November 5, 2017 Reviews This was originally reviewed on 22/05/17 as part of Cannes Film Festival. If you ever get invited to a Cannes beach party, never play "Would You Rather… ?" with Yorgos Lanthimos. The Greek...
Dark River – LFF 2017 Review L D October 9, 2017 Reviews Premiering at Directors’ Fortnight in Cannes and winning British Film of the Year at the London Critics Circle Film Awards, The Selfish Giant was Clio Barnard’s second feature. It is safe to say that after...
Wind River – Review Tom Bond September 9, 2017 Reviews Taylor Sheridan has made his name as the writer of gritty, sincere action films like Sicario and Hell or High Water, and it’s fair to say he doesn’t change a winning formula with his directorial debut,...
Taylor Sheridan’s Tales of the Disenfranchised Kambole Campbell September 8, 2017 Analysis, Close-Up, Features Screenwriter and, as of recently, director Taylor Sheridan has carved out a niche for himself making tense crime sagas in various American landscapes, characterised by unflinching depictions of violence, razor...
Your Week In Film: Oscars for Apes, Lord of the (Female) Flies and Flags David Brake September 2, 2017 News 1. Ed Skrein leaves Hellboy It seems like every week we’ve got an article about Hellboy. Every week it’s David Harbour this, Ian McShane that. Not this week though. This week is all about Ed Skrein,...
Your Week In Film: Licence to Kill, Drive, Gamble Responsibly Stephen O'Nion August 18, 2017 News 1. Daniel Craig will return as Bond. Obviously. Well, that was predictable. Proving that all it takes is a dumptruck full of money, Daniel Craig has been talked out of slashing his wrists and into another...
Short of the Week – Hard Coffee Louise Burrell August 14, 2017 Features, Independent, Short of the Week https://vimeo.com/227495263 Shot on one cartridge of 8mm film, with only in-camera edits allowed and no post-production, Hard Coffee is three and a half minutes of highly-caffeinated energy. Filmed as part...
Picking Apart Privilege in Sofia Coppola Films Cathy Brennan July 13, 2017 Analysis, Close-Up, Features All too often, critics of Sofia Coppola label her films as rich white girl problems. The "white" part is fair enough – it's not like she can't be criticised for how she handles (or rather avoids handling)...
Is Netflix a Good Place for New Films? Kambole Campbell July 1, 2017 Analysis, Debate, Features With the recent release of Okja on Netflix's world famous and immensely popular streaming service alongside a quite limited cinematic release, we decided to get together and have a chat about Netflix's methods...
Top 10 Movie Moments of 2017… So Far Tom Bond June 28, 2017 Analysis, Features, Top 10 It’s the end of June, so that means it’s time for our favourite ORWAV tradition: the listing of our top 10 movie moments of the year so far, spoilers and all. You’ll get lists thrown at you ad...
Paris Can Wait – EIFF 2017 Review Rachel Brook June 21, 2017 Reviews Paris Can Wait, the first foray into fiction from Eleanor Coppola (wife of Francis Ford), is at best a Woody Allen-esque Americans-do-Europe travelogue, and at worst a boring and indulgent piece of wealth...
The Divine And The Comedy Of Bruno Dumont Patrick Nabarro June 13, 2017 Analysis, Features, Spotlight If Slack Bay (due for UK release this weekend) is to be your first sample of the cinema of French auteur Bruno Dumont, then it should come with a large caveat. Like his previous film/TV series P'tit Quinquin...