Carmen and Lola – Filmfest München 2018 Review Josefine Algieri July 4, 2018 Reviews Carmen and Lola offers a love story between two Roma girls facing the deeply homophobic mindset of their cultural background, which is both particular due to their heritage, and universal, as its equivalents...
Lucia’s Grace – Filmfest München 2018 Review Josefine Algieri July 3, 2018 Reviews Gianni Zanasi comedy Lucia’s Grace (Troppa grazia) is an odd film, picking up many threads but ultimately falling short of tying them all together. Nonetheless, Zanasi’s work managed to win the award for...
Leave No Trace – Review Jack Blackwell June 29, 2018 Reviews Best known for launching the career of Jennifer Lawrence with Winter’s Bone, Debra Granik’s first film since that 2010 entry is another excellent story of hidden, isolated Americans with a breakout central...
Leave No Trace – Review Jack Blackwell June 10, 2018 Reviews Best known for launching the career of Jennifer Lawrence with Winter’s Bone, Debra Granik’s first film since that 2010 entry is another excellent story of hidden, isolated Americans with a breakout central...
Solo: A Star Wars Story – Review Tom Bond May 25, 2018 Reviews This film was previously reviewed on 16/05/18 as part of Cannes Film Festival. Is it possible to have too much of a good thing? Film franchises prompt that question on a daily basis, with every...
Scene Stealers: Donald Glover in The Martian James Andrews May 24, 2018 Analysis, Features, Scene Stealers It’s a phrase bandied about quite a lot in the entertainment world, but Donald Glover is quite genuinely a man of many talents. When he’s not preparing to join a galaxy far, far away as a young Lando...
The Citizen Kane of Awful – Indiana Jones and the Kingdom of the Crystal Skull Joni Blyth May 23, 2018 Features, Nostalgia, The Citizen Kane of Awful Love it or loathe it, Indiana Jones and the Kingdom of the Crystal Skull has earned a place in the history books. The largest release in Paramount Pictures history, twelve thousand copies covering 25 languages...
Jeune Femme – Review Tom Bond May 19, 2018 Reviews This film was previously reviewed on 23/05/17 as part of Cannes Film Festival. Roaring down the trail blazed by the likes of Lena Dunham’s Girls, Phoebe Waller-Bridge’s Fleabag and Gillian...
Three Faces – Review Tom Bond May 13, 2018 Reviews This review was published as part of our Cannes festival coverage on 13/05/2018. If you want to know what a film is, ask Jafar Panahi. Under the thumb of a repressive Iranian regime that censors its cinema,...
Spotlight: The Irresistible Rise of Daniel Brühl Nick Evan-Cook May 9, 2018 Analysis, Features, Spotlight Here’s a tough one: how do you make a cinema audience sympathise with a WW2 Nazi? It’s probably best that he doesn’t buy into the regime - no-one would like that. It would help to make him reject the...
Michel Hazanavicius on Redoubtable Louise Burrell May 8, 2018 Behind The Curtain, Features, Interview Based on French actress Anne Wiazemsky's autobiography, Redoubtable is an intimate biopic of a very specific period in Jean-Luc Godard's life. Following his overwhelming success as the leader of French New...
BPM (Beats Per Minute) – Review Tom Bond April 1, 2018 Reviews This film was previously reviewed on 21/05/17 as part of Cannes Film Festival. Acclaimed writer/director Robin Campillo returns with BPM (Beats Per Minute), an incendiary and challenging film about the Act...
Dark River – Review L D February 24, 2018 Reviews This film was previously reviewed on 09/10/17 as part of London Film Festival. Premiering at Directors’ Fortnight in Cannes and winning British Film of the Year at the London Critics Circle Film Awards,...
ORWAV’s Unlikely Picks for the 2018 Oscars Tom Bond January 22, 2018 Analysis, Features, Top 10 Every year your favourite films are robbed (robbed, you hear me!) of the little gold statues they deserve. And we all know why. Despite the bold changes begun in the wake of #OscarsSoWhite, the Academy...
Checking in on the Modern Western Rory Steabler January 4, 2018 Analysis, Features, One Off Almost a decade ago, the 2008 Academy Awards saw an influx of Westerns. No Country for Old Men took the Best Picture statuette (among others), while nominations for sound and cinematography were dished out to...