The Bookshop – Berlinale 2018 Review Joni Blyth February 19, 2018 Reviews Charming and inconsequential, The Bookshop perfectly evokes the sensation of losing yourself in a good book. Nothing too heavy – more of a summer read than daunting prose – we are led stepping into its...
Black 47 – Berlinale 2018 Review Joni Blyth February 17, 2018 Reviews A conventional thriller in an unconventional setting, Black 47 lays the bleakness on pretty thick to establish the woeful world in which we find ourselves. War, famine, greed, wrath – the seven sins, the...
Damsel – Berlinale 2018 Review Joni Blyth February 16, 2018 Reviews 1 Comment Movies don’t have to mimic their settings. Space is pretty desolate, but most films featuring the final frontier don’t waste half their running time slowly inching through the black. When it comes to...
Berlin Syndrome – Review Ersin Ali June 8, 2017 Reviews Perhaps only sitting in a freezing igloo where, instead of perfect blocks of ice, long thin steely icicles provide just enough contact with the outer world recreates the feeling of Berlin Syndrome. The...
On The Beach At Night Alone – Berlinale 2017 Review Christopher Preston February 19, 2017 Reviews On the Beach at Night Alone is an essay on feelings, their consequences and complications. It proves that even a dying fire still has the ability to scorch. We meet Youngee, a seemingly popular actress, just...
Logan – Berlinale 2017 Review Christopher Preston February 17, 2017 Reviews “Right or wrong, it’s a brand,” Alan Ladd’s Shane philosophises in the western which bears his name. “A brand sticks. There’s no going back.” The line has been included in Logan, the widely...
Call Me By Your Name – Berlinale 2017 Review Christopher Preston February 16, 2017 Reviews While making comparisons is nearly always reductive, Call Me By Your Name feels like Brokeback Mountain via Richard Linklater – which hopefully sounds like a compliment because it is meant as a huge one. It...
Colo – Berlinale 2017 Review Christopher Preston February 15, 2017 Reviews Colo purports to be a kitchen sink-style drama, which is apt: watching it is about as enthralling as washing the dishes. Teresa Villaverde concerns her art with the economic crisis and how such events can...
The Queen Of Spain – Berlinale 2017 Review Christopher Preston February 15, 2017 Reviews Sequels are a curious and fickle species, particularly the breed that has come to most prominence in the last few years: the legacy followup. Always ready to cannibalise when they need to, film producers seem...
Mr. Long – Berlinale 2017 Review Ersin Ali February 14, 2017 Reviews It is hard not to think that when Sabu set about writing, and eventually getting in the chair for, Mr. Long, he hadn't just got up from watching Refn's Drive for the umpteenth time. So, is this the Eastern...
Chi-Raq – Berlinale 2016 Review Eddie Falvey December 11, 2016 Reviews “This is an emergency!” Spike Lee proclaims at the outset of his latest feature. There is an anger coursing through Chi-Raq that hasn’t been felt in the director’s work for some time; as passionate as...
Saint Amour – Berlinale 2016 Review Eddie Falvey February 21, 2016 Reviews At times the premise of Saint Amour feels uncannily similar to Alexander Payne's Sideways, a comparison that will not work to its favour as it slumps in the shadow of a far superior film. That's not to say...
A Dragon Arrives! – Berlinale 2016 Review Eddie Falvey February 21, 2016 Reviews You could send yourself crazy trying to determine what A Dragon Arrives! is actually all about; what opens as a playfully elusive detective noir turns into something else entirely as fact and fiction begin to...
Creepy – Berlinale 2016 Review Eddie Falvey February 20, 2016 Reviews The fact that a horror film named Creepy fails to be the slightest bit creepy is the first crime of Kurosawa's impotent serial killer thriller. Further crimes include a script that is burdened by boring...
A Lullaby To The Sorrowful Mystery – Berlinale 2016 Review Eddie Falvey February 20, 2016 Reviews It's hard to accuse a 485 minute film of being 'too long', simply for the fact that it operates according to a completely separate set of rules to conventional cinema. That said, Lav Diaz's latest is too...