Social Hygiene – Berlinale 2021 Review Carmen Paddock March 2, 2021 Reviews Denis Côté has embraced the challenge of pandemic cinema with a socially distanced look at the sound, fury, and nothingness of words. Social Hygiene plays out in five scenes, all centred around the writer...
Language Lessons – Berlinale 2021 Review Josefine Algieri March 2, 2021 Reviews In times of a global pandemic, the film industry necessarily has to adapt. Productions face greater hurdles than before, and while these surely seem insurmountable to some, they inspire others to find...
The First 54 Years – An Abbreviated Manual for Military Occupation – Berlinale 2021 Review Carmen Paddock March 2, 2021 Reviews As its title suggests, Avi Mograbi’s documentary presents like a textbook: with the director as narrator and guide, speaking directly into camera like a lecturer, the film interpolates talking heads from...
Memory Box – Berlinale 2021 Review Josefine Algieri March 2, 2021 Reviews Memory requires active cultivation to exist: what we remember depends on the narratives we tell ourselves and others. Joana Hadjithomas and Khalil Joreige’s Memory Box is a beautifully textured ode to the...
Ste. Anne – Berlinale 2021 Review Carmen Paddock March 1, 2021 Reviews Rhayne Vermette’s feature is deeply embedded in family and place. The director plays Renée, a woman returning to her rural family home in the Métis Nation, and the community welcomes her back with lively...
Beans – Berlinale 2021 Review Josefine Algieri February 28, 2021 Reviews In 1990, a land dispute between the Mohawk people and the Canadian government caused an armed stand-off between the two parties. Writer-director Tracey Deer witnessed the so-called Oka Crisis and weaves her...
Charlatan – Berlinale 2020 Review Josefine Algieri March 6, 2020 Reviews After last year’s Mr Jones, prolific Polish director Agnieszka Holland returns to the screen with another biographic film; for as outlandish as it may seem, the story of the ‘Oracle of Urine’ is very...
Welcome to Chechnya – Berlinale 2020 Review Josefine Algieri March 2, 2020 Reviews In 2017 a raid on drugs became the starting point of persecution of LGBTQ+ people in Chechnya. Since then, countless people have suffered torture, disappeared, and died – penalised not only by a government...
Delete History – Berlinale 2020 Review Josefine Algieri March 1, 2020 Reviews Modern life can certainly be a challenge to navigate; particularly for those generations which did not grow up with the internet. With Delete History (Effacer l’historique), writer-director duo Benoit...
Never Rarely Sometimes Always – Berlinale 2020 Review Josefine Algieri February 28, 2020 Reviews Sometimes film projects are years in the making until the right time comes around: the wait is certainly worth it with Eliza Hittmann's Never Rarely Sometimes Always. In 2020, under the Trump administration,...
The Intruder – Berlinale 2020 Review Josefine Algieri February 26, 2020 Reviews The voice is an instrument, susceptible to changes in a person's mood, or her mental constitution. Natalia Meta's The Intruder (El prófugo) introduces its protagonist's voice as a carefully honed tool for her...
Dry Wind – Berlinale 2020 Review Josefine Algieri February 26, 2020 Reviews Desire runs through this film as the titular Dry Wind (Vento Seco) does through its setting: rural mid-western Brazil, where Sandro (Leandro Faria Lelo) follows his monotonous daily routine. Working at the big...
Eeb Allay Ooo! – Berlinale 2020 Review Carmen Paddock February 25, 2020 Reviews Monkey bites can be fatal for humans. Do not indulge them. Do not feed them. This sign greets Anjani (Shardul Bhardwaj) at his new job as a professional monkey repeller. Having newly relocated from the...
Siberia – Berlinale 2020 Review Carmen Paddock February 25, 2020 Reviews Abel Ferrara’s latest film blends a quintessential man vs. nature struggle and the age-old search for life’s meaning with a heavy dose of metaphysics. Siberia, however, does nothing narratively or...
Exile – Berlinale 2020 Review Carmen Paddock February 25, 2020 Reviews The most effective horror comes from the unknown. In Visar Morina’s dramatic thriller, Xhafer is a Serbian pharmaceutical engineer who now lives in Germany with his wife and three children. One day, he finds...